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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
![COVID MASSACRE 2 - COVID MASSACRE
PART 2
DISCOUNT
JUST 29$ till Monday, 33$ Before the End of the Month and 40$ After September!
NEXT PART OF THE MOST BLOODY MOVIE!
SIX MORE BLOODY MURDERS + GREAT BLOODY NUDE OUTDOOR BODYPILE!
Next Portion Of Hundreds Bullets In The Girls’ Fleshes!
CUSTOM
\"I just watched the video. First of all, I will not say much to thank you. I have already told you a lot.））））））） This project is really big and consumes a lot of our energy. I can see your seriousness through every scenes. So I will take the trouble to say thank you again. You have created a history Sir! This style is unprecedented.It almost perfectly blends this with bloody elements and some erotic elements.Send a little red heart to the members of your production crew and the models you found.\"
Starring:
Alice M, Yana, Luiza, Angelina, Mira Green, Judi, Max
Ways Of Murders And Fetish Elements:
Alice M – Head Sot – Bloody, Very Bloody Long Head Shot with her brains on the wall!
Yana – was shot in her pussy, after was shot about fifteen times in her body with splashes of blood and finished by long fat headshot
Luiza - was shot many times in her body by shotgun – bloody realistic death
Angelina – was exploited by shot gun with her meat and guts outside (complicated trick made with crew of pyrotechnics)
Mira Green – was shot in sieve - clothes and body tore into a bloody mess
Judi – accidently shot in her genitalias – urination with blood, rain of blood to the floor from her!
BODYPILE!
PLOT
Time came back to reality, and the filmmaker who was watching the film with the girls received a text message. The text was about credit card arrear payments, and the filmmakers were sad.
He muttered to himself.
\"I can\'t even afford to eat because of this virus, and pay it back?\"
Judi asked the film-maker with a smile.
\"What are you talking about?\"
The maker said, \"it\'s okay. girls ready to shoot.\"
The filmmaker had these girls stand around him and say, \"that\'s enough for me. I don\'t want to live anymore. I\'m sure you do, too.\"
Alice began to laugh, and everyone laughed when she did. \"The script is not like that either,\" says Yana.
Suddenly Alice was shot in the head and her brains splashed against the wall.
dead. The filmmaker said, \"don\'t move if you want to live.\"
Yana then sneaks out a gun, points it at the filmmaker and says, \"don\'t move.\"
The film-maker laughs and shoots Yana in the pussy.
Yana\'s pussy crazy spouts blood and then she loses her strength and leans against the wall behind. The filmmaker sees yana alive and continues to shoot at her body, which continues to spray blood. Yana seems to have lost a lot of blood and becomes unconscious. She leaned against the wall as if her body were still moving.
Satisfied with the bloody scene, the filmmaker took a shotgun and shot Louisa\'s body.
Louisa\'s body was shot to pieces.
Mira sees something wrong and wants to run, but the filmmakers find out. The shotgun was so powerful, Mira ended up just as badly as Louisa.
Angelina is scared and asks not to be killed.
But the filmmakers have turned their guns on her.
At this moment Yana struggles to get up from the pool of blood and points her gun at the filmmaker. The filmmaker responded quickly, picking up the pistol that had just shot Yana and shooting her in the head. Yana\'s brains spurt out and spill onto the wall. Yana also slides against the wall and sits on the ground slowly.(the urine slowly flows out)
The filmmaker picks up the shotgun and shoots Angelina, who bleeds to death.
The film-maker saw that Judi was not dead, but he felt his actions were too criminal. He looked at the bloody bodies and the organs sprayed on the floor can\'t believe what he\'s doing. \"You go. I don\'t want to kill you, Judi. You\'re a good girl.\"
Judi, still in shock, walked carefully away, but to her surprise she stepped on the gun that had accidentally fired. The shot hit Judi in the pussy, spraying blood like a water cannon for a long time. (robogeisha example) When the blood finished spurts out, Judi also ends her own life, the way of death is very absurd and funny.
The film-maker saw beautiful corpses lying around, and he undressed the girls. (The actor looked directly into the camera and said, \"life is not easy during COVID 19. Please don\'t learn from me. Life has a long way to go.\")
Then the filmmaker committed suicide and died with the girls.
ALSO CHECK OUT
COVID MASSACRE part 1](studio/images/covidmassacre2cover-21e.jpg "COVID MASSACRE 2 - COVID MASSACRE
PART 2
DISCOUNT
JUST 29$ till Monday, 33$ Before the End of the Month and 40$ After September!
NEXT PART OF THE MOST BLOODY MOVIE!
SIX MORE BLOODY MURDERS + GREAT BLOODY NUDE OUTDOOR BODYPILE!
Next Portion Of Hundreds Bullets In The Girls’ Fleshes!
CUSTOM
\\"I just watched the video. First of all, I will not say much to thank you. I have already told you a lot.））））））） This project is really big and consumes a lot of our energy. I can see your seriousness through every scenes. So I will take the trouble to say thank you again. You have created a history Sir! This style is unprecedented.It almost perfectly blends this with bloody elements and some erotic elements.Send a little red heart to the members of your production crew and the models you found.\\"
Starring:
Alice M, Yana, Luiza, Angelina, Mira Green, Judi, Max
Ways Of Murders And Fetish Elements:
Alice M – Head Sot – Bloody, Very Bloody Long Head Shot with her brains on the wall!
Yana – was shot in her pussy, after was shot about fifteen times in her body with splashes of blood and finished by long fat headshot
Luiza - was shot many times in her body by shotgun – bloody realistic death
Angelina – was exploited by shot gun with her meat and guts outside (complicated trick made with crew of pyrotechnics)
Mira Green – was shot in sieve - clothes and body tore into a bloody mess
Judi – accidently shot in her genitalias – urination with blood, rain of blood to the floor from her!
BODYPILE!
PLOT
Time came back to reality, and the filmmaker who was watching the film with the girls received a text message. The text was about credit card arrear payments, and the filmmakers were sad.
He muttered to himself.
\\"I can\'t even afford to eat because of this virus, and pay it back?\\"
Judi asked the film-maker with a smile.
\\"What are you talking about?\\"
The maker said, \\"it\'s okay. girls ready to shoot.\\"
The filmmaker had these girls stand around him and say, \\"that\'s enough for me. I don\'t want to live anymore. I\'m sure you do, too.\\"
Alice began to laugh, and everyone laughed when she did. \\"The script is not like that either,\\" says Yana.
Suddenly Alice was shot in the head and her brains splashed against the wall.
dead. The filmmaker said, \\"don\'t move if you want to live.\\"
Yana then sneaks out a gun, points it at the filmmaker and says, \\"don\'t move.\\"
The film-maker laughs and shoots Yana in the pussy.
Yana\'s pussy crazy spouts blood and then she loses her strength and leans against the wall behind. The filmmaker sees yana alive and continues to shoot at her body, which continues to spray blood. Yana seems to have lost a lot of blood and becomes unconscious. She leaned against the wall as if her body were still moving.
Satisfied with the bloody scene, the filmmaker took a shotgun and shot Louisa\'s body.
Louisa\'s body was shot to pieces.
Mira sees something wrong and wants to run, but the filmmakers find out. The shotgun was so powerful, Mira ended up just as badly as Louisa.
Angelina is scared and asks not to be killed.
But the filmmakers have turned their guns on her.
At this moment Yana struggles to get up from the pool of blood and points her gun at the filmmaker. The filmmaker responded quickly, picking up the pistol that had just shot Yana and shooting her in the head. Yana\'s brains spurt out and spill onto the wall. Yana also slides against the wall and sits on the ground slowly.(the urine slowly flows out)
The filmmaker picks up the shotgun and shoots Angelina, who bleeds to death.
The film-maker saw that Judi was not dead, but he felt his actions were too criminal. He looked at the bloody bodies and the organs sprayed on the floor can\'t believe what he\'s doing. \\"You go. I don\'t want to kill you, Judi. You\'re a good girl.\\"
Judi, still in shock, walked carefully away, but to her surprise she stepped on the gun that had accidentally fired. The shot hit Judi in the pussy, spraying blood like a water cannon for a long time. (robogeisha example) When the blood finished spurts out, Judi also ends her own life, the way of death is very absurd and funny.
The film-maker saw beautiful corpses lying around, and he undressed the girls. (The actor looked directly into the camera and said, \\"life is not easy during COVID 19. Please don\'t learn from me. Life has a long way to go.\\")
Then the filmmaker committed suicide and died with the girls.
ALSO CHECK OUT
COVID MASSACRE part 1")
-941.jpg "KNIFE DUELING - KNIFE DUELING
CUSTOM
STARRING: KEILA, KELLY, ALICE MIREN, MARYANN, MAX
Fetish Elements
Knives, Stabbing, Cat fighting to the death, Battle, Diver Outfits
«Wow!
It's one of the hottest yet! Those surf suits are SO sexy and the acting is great.
Many thanks»
Customer’s Feedback
The man is seated in the chair, holding his gun and facing the rest of the room. There is a little bell on the armrest of his chair.
One team of girls is standing against one wall, the other stands against the opposite wall. The camera pans over the girls and you can see a mixture of fear and excitement on their faces. On a table against the third wall are two pairs of knives.
The man gets up and walks over to the black team with two straws in one hand. He offers them one girl. She draws the long straw, so that the other, with a resigned expression, walks over to the table, picks up two knives and takes up her position. He walks over to the blue team, and this time the first girl to draw gets the short straw, so that she too takes up a pair of knives and takes up her combat position opposite the first girl.
The man sits down and rings his bell. The girls begin to fight. You can have them give one another flesh wounds before the black team member lands a knife in her opponent's belly. The blue girl cries out, dropping one knife. The black girl withdraws the knife, and the blue girl staggers drunkenly, raising her remaining knife to attack. But the black girl easily knocks it out of her hand and lands a knife below the blue girl's left breast. This time she leaves the knife there. the blue girl clutches it, and falls to her knees, coughing blood. The black girl gives here a kick and she falls on her back, still clutching the knife, and lies writhing, spasming and coughing blood until she dies. The black girl pulls out the knife and raises both arms above her head in a victory gesture. She resumes her place beside her team mate.
This time the remaining two team members know that it is their turn. They take up position and, when the man rings the bell, they begin to fight. Again you can have them inflict flesh wounds. But this time it is the blue girl who lands an upper thrust above her opponent's left breast. She follows through with a belly wound. The black girl drops both knives and falls drunkenly to her knees. The blue girl gets behind her, pulls her head back by the hair and cuts her throat. The black girl falls forward, spasming and coughing lots of blood until she dies. Now it is the blue girl who raises her arms in triumph.
Now the surviving girl from the black team gets up to face her new opponent. Both girls are disheveled, with flesh wounds. After some sparring and some more flesh wounds, the black girl, stepping backwards, trips against one of the dead girls. The blue girl seizes this moment to slash her opponent's side below the ribs. But the black girl regains her balance, attacking and landing two thrusts to the blue girl's belly. The blue girl falls on her back, her body shaking, apparently all but spent. Throwing one knife aside the black girl sits astride her. She throws her head back back in savage triumph and raises her remaining knife high with both hands, preparing to plunge it into her opponent's chest. But the blue girl, in a lightning gesture with her remaining strength, plunges a knife in below her opponent's left breast. The black girl's expression changes from triumph to pain to puzzlement, Her upper body rocks slightly forward and she coughs blood. The blue girl tries to laugh but only manages to cough blood. The black girl's expression goes blank and she falls forward. Both girls spasm, shiver and die. The camera pans over the four corpses.
The man lines up the corpses on their backs. The camera pans over them fully clothed. One by one he unzips their uniforms, revealing their breasts. Another camera pan. Then he strips their bodies for one last camera pan.")
