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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     Twins Massacre
    14 minutes
      Twins Massacre - Starring: twins sisters betty and katty. 

it's real exclusive fetish movie!

enjoy how twins (actresses are real twins in life) are screaming like bitches when they are dying in agony. They are so helpless! They were born together, today they are diyng together. 

two agonic, super sexy death scenes. See how twins die touching each other in crazy agony and see how killer makes body pile with theis bleeding topless bodies!

we are proud of this movie indeed!

two  supermodels betty and katty are twins sisters in life! In this video they act twin ******! It’s their  debut in fetish video industry. Great actresses,  famous in russia east europe countries,  after long conversations now are agree to take part in our studio life! So twins act twins!

 long, agonic, very sexy death of two pretty blond young sisters in this video! The best crime house shooting video ever!

plot.

nika and vika are twins sisters. Nika is a bag ****, she meet with rich men only for their money and kid them. Her ****** vika is a good ****, university the excellent  student. She dreams about love and serious relationships with a good boy.  Bit suddenly contract killer bursts into the room. His boss ordered to kill nika (the **** had betrayed him). Killer is confused. He sees twins! What shall he do? Just to ask: «who is nika»?

but vile nika sais that nika is her ******, and she is not nika. Vika is surprised at such betrayal! And killer shoots poor good **** vika to her stomach. She is in agony. It pains! It is double pain. The first one is physical hellish pain, the second one is moral stress – she is dying unfairly. Instead  of her ******.

so the next bullet was to nika’s stomach! Now two ***** are suffering  bleeding on the floor. Vika is rending and tearing her ******’s stockings while she is in crazy agony. They are dying slowly. He put’s banknote to her month, then he puts corpses to a nise dead-twins body pile. We see them dead and forever together deadly looking to the ceiling.

fetish elements:

real twins actresses, young *****, schoolgirl sexy uniform, tights, black stockings, shooting in stomach. Shooting in chest, two twin-***** shot together, one **** is tearing stockings on her ****** leg  while in agony, stripping bodies, playing with bodies, dead twin dolls postmortem playing. Bodypile, sexy death stare.



art elements:

professional actors, ***** affects, super camera work, high quality. 
high cinematic quality, great sound effects, a lot of fetish-elements, this is exclusive for your collection!  SHOT DEAD COCKTAIL 25
    1 minutes
      SHOT DEAD COCKTAIL 25 - SHOT DEAD COCKTAIL 25

Kat, Annabelle, Luiza and Lilia, Alex, Dan

12 SHOOTING DEATH SCENES

20 DEATHS

Many Nude Content

No blood  

 

Girls die in different situations, kill each other and being killed! Much death fun . No blood but much shooting imitation, fights,  dead poses and clothes. Much topless scenes   

IF YOU LIKE THIS VIDEO PLEASE CHECK OUT ALL SHOT-DEAD COCKTAIL CATEGORY!
     QUEEN KILLER 4
    12 minutes
      QUEEN KILLER 4 - QUEEN KILLER SALLY
Important key elements of the custom:
- protruding, clearly visible ribs, belly sucked in, heavy breathing, 
- death/dying scenes: writhing, moaning, NEVER TOUCH THE WOUND, arms/legs outstretched, visible ribs, BREATHING SOUNDS IMPORTANT!!!
- oiled (sweaty body, throughout)
- NEVER showing fear
Costumes and props: exactly like in the last custom Queen Killer Sally: only this loincloth, no slip beneath, , barefoot, war paint in face, body oiled, swords, NO NECKLACE THIS TIME!
PLEASE USE NO BRIGHT LIGHTING LIKE BEFORE, MAKE SURE THE RIBS HAVE GREAT CONTRAST!!!
Sally is already dressed as an amazon warrior (see above): loincloth, barefoot, war paint, body sweating. She has is waiting for her dule and carries a sword. She is breathing heavily, excited for the coming swordfight, plays with the sword over her body, stretching, showing her ribs. 
An agent enters the room, sword in hand. Without saying a word the opponents take position, facing each other. Immediately Sally yells and attacks, swords clash and both pressing their swords together, each trying to push the other back. Sally grunts. Finally she can push the agent back, she attacks with sword over her head and strikes down but misses.
Immediately she goes up again, sword over her head her head, yelling her war cry.
The Agent moves forward and stabs Sally right in her navel. Sally’s war cry is stopped and she grunts: URK!
Closeup her face, totally surprised:
Cut to sword in her belly:
The agent pushes the sword deeper inside her and Sally gurgles blood. 

The agent pulls the sword out and Sally collapse on the floor.
Fade to black.
Fade in again: Dally has been laid out by the agent for his killing ritual.
Sally is laid out, arms and legs outstretched, under her back is a pillow to enhance her arch, chest and ribs.
Sally is already deadly wounded. She is lying still but breathing heavily and her breath/grunt is clearly audible. Her eyes and mouth are open wide. She is in shock, staring just above, not at the agent, only above… paralyzed by the agony.
PLEASE AS EXCACTLY AS POSSIBLE AS IN THE VID jack.mp4!!!!!
Long scene! Shots of this scene with Sally breathing and grunting loudly and staring in shock from many angles! Her belly is bloody, two thin lines of blood run down her sides (see below)
I especially angles that highlight her visible ribs, like below from behind (please include this!) and more.
After some time the agent kneels next to her, watching the dying beauty. Almost gently he touches her navel wound. Sally reacts by a lustful moan, sucking in her belly, exposing her ribs 
The agent repeats that some more times (always from a different angle, but please also the one from pic above).
Then the agent reveals a long needle (can be a screwdriver, should be a thing with the long thin blade). Sally is back to breathing like in the JACK.mp4 again.
He stabs the needle under left tit slowly and Sally’s eyes widen more… then fine line(s) of blood run down her ribs:
Long shot of this!!!
The agent touches her visible ribs (but not touch the blood line!!!) as Sally moans again and writhes.
Finally the agent grabs the needle again and searches with a finger around Sally’s chest for her heart.
When he finds it right between her breasts, WE HEAR HER HEARTBEAT!!! Boom – boom – boom
Slowly he pushes the needle in and Sally’s eyes widen again. 
Agent: “I can feel your heart on my blade!” He waits a little. Finally he pushes it in and we hear a SLASHING SOUND AND THE HEARTBEAT STOPS!!! Blood oozes from the heartwound.
A HUGE  mount of blood splashes from Sally’s mouth!
Now Sally arches her back up, making breathing suffocated 
Again from many angles, from the side, behind below is my favorite:
Finally Sally collapses dead. Agent: “You died beautifully, Amazon!” walks away
THE END  DEAL OF FATALITY 2
    18 minutes
      DEAL OF FATALITY 2 - DEAL OF FATALITY 2
CUSTOM
«Hi! Glad to see that the video gives me much more than my expectation! The most applealing thing is the blood on the way---- especially compared to the white snow. All of the guys appear are fantastic, especially Juliana and I'm sure that I will choose her again next time. All of the scenes and plots show your professionalism of creating such high-quality film for the fifth time, and  I look forward for next cooperation between us as long as I have new ideas. Keep healthy and best wishes!»
Customer’s Review 
STARRING:
Mira Green, Max, Juliana, Sonya Krueger, Morsus, Alex
PLOT

Scene 1

Mira, a brave but inexperienced policewoman has knocked the door. She starts searching the apartment with her gun.
When Mira enters the bedroom,  Max is waiting for her behind the door.The cop turns around, seeing him At that moment, Max kicked off the gun from her hand, and tries to beat her: “Die, Stupid cop!” Mira tries her best to fight with Max, but she seems to be defeated by the criminal. Although she punches Max for several times, it seems that Max has control the fight gradually. After beating the cop’s face and belly many times without any resistance, Max pushes Mira down to the floor, and strangles Mira.
Mira is fighting to have her neck released, and it is useless. She has a strong sense that she is losing her breath second by second. At that time, she hears a sound of bullets through human’s body. Max falling on the ground with his eyes widely opened, and another cop---- Juliana appears behind him. The backup finally comes!
Surprised and grateful, Mira stands up with pain and wants to say something to give thanks to Mira. However, her words are interrupted by Juliana.
“ A completely failed mission if it were not me.” Juliana gives the conclusion without any emotion, “Your performance leaves a lot to be desired, especially compared with experienced cops.”
Then Juliana looks down to the dead criminal and sniffed: “the result of not wearing bullet-proof vest”.
A car stops on the road next to a pub. Three excellent policewomen---- Juliana, Helga, and Mira, are sitting in the car. 
“Mira, come on, happy hour.” Juliana says to Mira.
“But we do not wear bullet-proof vests this time.” Mira asked.
“Are you kidding?” Helga laughs at Mira, “We are going to enjoy the beer now, not a mission to arrest the criminal.” 
“Don’t think too much, baby. The only thing we concern tonight is drinking.” Juliana also agrees with Helga.
With a bit doubt that cannot be explained, Mira leaves the car with other two cops.
Scene 3
Mira and Helga are drinking beers happily in the same table.
“Do you mean we must close the case without finding out who’s behind the big picture?” Mira asks.
“Do you think that anyone else are concerned about the truth expect for us? Now we only have three of us on our side.” Helga tells to Mira.
At that moment, Mira is crashed by a drunk guy in the pub.
“Hey? Are you blind?” 
“I think you are fucking blind.” The guy seems not afraid of them.
“If you are drunk, the best thing you can do is to back home as soon as possible.” Helga stands up, walks toward that guy and urges.”
“It’s none of your business.” The drunk guy punches Helga heavily.
“What do you want?” Helga punches the guy as response, then gets a punch from him too.
“Don’t spent time on him.” Mira asks Helga to end the conflict, “We are cops.”
Just after Mira has shown the identification of policewoman, the guy pulls out a gun, and shot Mira for two times.
Mira is falling on the table, and Helga hurries to hide behind the table.
Scene 4
When return back from washroom, what appears in the eyes give Juliana a big surprise: Mira is lying on the table, breathing in great pain, and keeps her eye opened, just like the picture below (which means she has not dead now). The bad guy is running away. Helga disappears, and Juliana does not know whether Helga was injured in the previous fight or not. 
“Helga, are you shot? Helga?” Juliana holds her gun and looking for Helga. Suddenly, Juliana gets a belly shot from her back. She moans heavily, then smiles, and says to the shooter behind her:“ Helga, is it you?”

Two more bullets through Juliana’s body: one for chest, and the other for belly.
“You should’nt do that.” Juliana smiles again, and gives Helga a shot without turning around and seeing where the target is. In fact, she is so excellent a cop, that she aires directly to Helga’s chest.
Then Juliana turns around slowly, with three bloody holes can be seen from both sides.
“Dirty cop?”
Helga sitting behind the wall, nodding her head to commit her identity. “Please don’t shoot, we can make a deal. I’ll call them off.”
“With three holes in my body?” Juliana crunches strongly because of the pain.
At that time, the drunk guy we see before returns back to the pub and shoot Juliana on the back for another times. She drops the gun, falls to the floor like the picture below, picks up her gun again, and creeps to sit down next the wall, vomiting bloods through her mouth.
“You fucking asshole! Are you know better than shooting a girl from the back?”  
Juliana aires bullets to the guy, but all of them are off the target. However, she gets two more shot in her body. She tries her best to stand up again (some close-up for her black long boots), but she fails. Her breath becomes deeper and deeper, and bloods continue to run out of her mouth. She uses her hand to cover her breast from bleeding, and haves a lot blood cough.
The shooters are getting closer and closer. “We will send your body to the police station in one piece.”
Juliana sweeps the blood around her mouth, saying bravely: “Over...... my...... dead...... pussy.......”
Three more belly shot. Juliana can no longer say even a word. She struggles and moans for a minute, then goes wide eyed and still, dead from eight wounds in her body.
“You cannot get away with this!” Helga shouted to the guy. She does not want to see the death of Juliana, even if they are enemies since Helga has joined the drug deals.
“We never want to kill anyone, as long as they do not know who we are. Give you few seconds to goodbyes with your teammates, and we waiting for you in the car outside.” The guy leaves Helga in the pub, and goes away.

Helga moves towards Juliana with tears and regret. “Baby, what happened to us is far beyond my expectation. Helga then takes off Juliana’s boots and black socks. She also takes off her ankle boots and white socks, and wear Juliana’s socks instead. “I will avenge for you, by wearing your socks.”
She tries her best to stand up, but she cannot. So she keeps creeping with her strong mind, like the picture above. 
It takes her great pain and long time, but she finally comes on the street (Please also include some scenes of the officer walking downstairs) , and the man appears in her scenes again. With the help of another car, she tries hard to stand up, and gives a fatal shot to the man.
Seeing the man dead, the cop feels that she can no longer control her body, She gradually lies on the ground, goes wide eyed and still, dead from the fatal wound given by Juliana. 
IF YOU LIKE THIS FILM PLEASE CHECK OUT
GOOD COP IN THE HEAVEN
DEAL OF FATALITY 
CALL OF DUTY
     DRUG CARTEL
    20 minutes
      DRUG CARTEL - DRUG CARTEL
CUSTOM
Starring: Judi, Tatiana, Max
I just watched it and it’s truly amazing! Thanks

Element:  Multiple Chest shots with realistic bullet makeup/ Headshot with realistic bullet makeup/Bullet exit (back bullet make up)/ long death struggle/ vomit/puke blood (emphasize on the process No need to actually cough but more like vomit blood)/ humiliation/ embarrassment/ Open mouth/death stare/ stripping after death/

Script:
Background: Judi and Tatiana are workers for a drug cartel, and while they are working to count money, an angry robber comes in. 

Scene 1: Judi and Tatiana counted a lot of money from a suitcase and log the amount on the computer. After that, they decided to take a little break. Judi and Tatiana are best friends, and they talk about some fun things outside of work. Then Judi got a call from security that an armed robber is in the building, and they were told to protect the money. Judi then tells Tatiana to be ready and Judi is confident that she can handle it and gets two handguns from the desk drawer and give one to Tatiana. Then she says, “Tatiana, don’t worry, I’ll protect you if it is dangerous” She then put the suitcase inside a safe or a drawer with a lock and hide the key in her Bra.

Scene 2: Tatiana seems a little worried after they heard gunshots outside the door. Suddenly, the door is kicked open and a man with a gun walks in demanding the money and says, “wow, two sexy ladies guarding the money, it would be wasteful if I have to kill you.” Judi seems very serious and told him he will die, then open fires at him. Tatiana also opens fire at him. He moves outside of the door and takes cover and fires back at them and emptied their ammo.

Scene 3: All three of them started reloading, but the man is faster and walks into the room and aims at Tatiana who screams in fear while Judi rushes in front of Tatiana as the man fires. Five shots hit Judi in the chest and belly area (realistic bullet hole), she is shocked and looks at her wounds, and drops her gun. She turns to Tatiana and says with a faint voice,” I told you, I would protect you and take a bullet for you”. The camera should show only Judi and her back also has bullet exit holes.  Then blood pours out of Judi’s mouth as she pukes out a lot of blood. (a lot of blood-emphasize processes). The man says, “That is so touchy, but you will pay for fire guns at me.” He then shoots Judi’s leg (Thigh) four times (2 shots on each side) (realistic bullet hole with holes in pantyhose) Judi keens down and then fall on the ground. Judi wants to say something but can’t speak, and blood oozes out of her mouth, and she continues to vomit blood while the body twitches (emphasize process (don’t cough)). (like my first custom POLCIEWOMAN IN A DRUG DEN) Her body then started convulsing as she struggles on the ground due to the agonizing pain. (a lot of on the ground agonizing struggle like my first custom POLCIEWOMAN IN A DRUG DEN)

Scene 4: Judi is struggling to breathe on the ground and in a lot of pain, but as the camera turns to Tatiana, she is also shot at the exact locations as Judi (realistic bullet hole), since Judi’s body is not enough to stop the bullet. Judi saw it and is very sad but can’t say anything due to her injury. The man also sees this and seems happy, “Well, I saved my bullets by shooting you two at the same time.” She then begins to puke blood (emphasize process) and falls on the ground beside Judi and the whole body started convulsing just like Judi. They both looked at each other with painful expressions. After they continue struggling on the ground for a while, the man decided to kill them. The robber turns to Tatiana, and she is very weak. He tells her that if she tells him where the keys to the safe/ drawer are, he will let her live. Tatiana tells him that it’s in Judi’s bra. The man then told her she is free to call for help and help the bloody Tatiana stand up. She barely can stand, but the drive to live makes her strong and as she walks toward the door, the man shoots her in the back of the head killing her. (Realistic blood makeup in the forehead) Tatiana falls on the ground dead with a death stare. Her body continues to twitch and convulse for a little bit.

Scene 5: Judi screams “no”, then the man turns to Judi and says, “it’s time to say goodbye to this world” and aims the gun at Judi’s head and pulls the trigger, but the gun is empty. He then bends down and picks up Judi’s gun and says, “you don’t mind that I borrow it right?”. Judi opens her mouth and begs for life, but he shot her in the face. (Realistic Bullet hole). Judi’s mouth stayed open, Brain matter splatters on the ground, and Judi convulses and twitches very violently before the body relaxes. Her eyes are wide open, and her mouth is open, and the camera should focus on her death expression.

Scene 6: The man then undresses Tatiana and Judi looks at the bullet holes on their body. When he finds the key inside Judi’s bra, he says “mission accomplished!” He then touches their breasts and says,” what a pity” before leaving.

IF YOU LIKE THIS FILM PLEASE CHECK OUT

UNDERCOVER POLICE WOMAN
WITNESS PROTECTION 2  HOUSE OF 7 CORPSES
    15 minutes
      HOUSE OF 7 CORPSES - Seven girls were attacked by stranglers-maniacs in the house!
Starring: Angelina, Annabelle, Luiza, Marina, Tora, Pola, Christy  
THE MAIN THEME OF THIS MOVIE – STRANGLINGS REACTIONS WITH FETISH FOCUS TO FEET, LEGS JUERKINGS, DEATH STARES AND STRANGULATIONS AGONY
Every girl does great strangulation show
Amazing bodypile 


If you like this video please also check our strangulations clips with mass bodypiles:
Strange Stranglers
House if 9 Corpses (all parts)
Unhappy Birthday (2 parts)

If you want to watch another  version of this story with fetish focus to stockings please  check STOCKING STRANGLER
     SCARECROWS 2
    58 minutes
      SCARECROWS 2 - SCARECROWS 2
Custom Movie
1 HOUR FULL MOVIE!
Cast: Billy Brag, Max, Tatiana, Luiza, Li, Emma, Nadezhda Preura
Elements: 
Chloroform, Crucifixion, Nails in hands, Torture, Slow death, Hopelessness, Execution

Synopsis 

A group of drug dealers once again arrange a demonstrative sophisticated execution of girls who know too much and pose a danger to the cartel. An hour long slasher film, which is a continuation of the first part.
	
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
SCARECRAWS  OFFICE TRIATORS
    20 minutes
      OFFICE TRIATORS - OFFICE TRIATORS
Custom *
MODELS: Judy, Nata, Max 
FETISH ELEMENTS: 
Office, Office white blouses, office white shirts, office black skirts, black pantyhose, black stockings, shoes with high heels, glasses, spectacles
Cord strangulation, garroting, choking, strangling in the office, agony, death stare, trying to escape, stabbing from behind, knife between breasts, knife between tits, blood, gore, shock reaction, death with tongue out, postmortem stripping, necro stripping, exotic dead poses, full nude

PLOT
Judy and Nata are smartly dressed business women in an office. Both wear glasses and have their hair up.  As they work at their computers we see medium close-ups of their faces. The phone rings. Judi answers, nods and says "OK". "The boss wants to see us" she tells Nata. They exchange a concerned look to each other. They walk to the boss's office. He tells them he has worrying news. Someone has been selling information to their rivals. They must find out who has betrayed the company and the traitor must be punished. Again Judy and Nata exchange a look.  The boss tells Nata to fetch some papers from another part of the building and Judy to return to her desk to look through some computer records. 

Judy returns to her office. She looks tense as she sits at her computer.  Her boss comes in. He tells her there is no need to worry, he has found who the traitor is. It is Miss Volkov  A look of relief comes over Judy’s face. But then he says: "But it wasn’t just one person Miss Petrov. It was two. You have also betrayed us and you must pay the penalty." Judy protests that she's innocent but the boss moves towards her threateningly. "What are you doing?" she cries. Then she sees him produce a cord.  She shakes her head - please no -as he brings the cord towards her neck. Suddenly he wraps it round. Jude's eyes widen in shock. Her hands reach up to her neck as she desperately struggles. The boss moves behind her chair to get a better grip. Her eyes are full of panic, fear and agony. In the struggle, and as she claws at her neck and his arms, her blouse falls open and a little later one of her breasts falls out of her bra. 

After a long struggle she begins to weaken. The boss moves to the front again. He wants to see her final moments. Judy looks up at him, her eyes are in despair, pleading for mercy. He tightens the cord even more. Her eyes bulge, they go cross-eyed, her toungue shoots fully out. She is going. She knows it. She realises she is about to die. Her body twitches for the last time and then she is still. Her face is frozen in a look of total surprise, her eyes very wide, her mouth open in an O shape. The boss gazes at her dead body in the chair.  He pulls her bra down, exposing both her breasts. Then he leaves.

Nata comes in. She tells Judy they have to leave immediately. Then she sees Judy's body. In panic she turns to escape. The boss appears and grabs at her, causing her blouse to fall open. She gets away and runs down a corridor and into another room, closing the door. Her back is against the door to keep it closed. She listens for sounds. She can't hear anything. Perhaps he has gone. Suddenly Nata’s eyes and mouth widen in shock. She lets out a terrible cry, her body shakes, her eyes bulge, roll and go cross eyed, her tongue shoots out. She is in agony and disbelief. After a while her body stops shaking. Her senses are scrambled but through the agony and shock she finally realises what has happened. She slowly looks down. The metal tip of a blade is protruding from between her breasts. She has been impaled through the door. She is horrified. She gasps and groans, eyes rolling in agony. The boss appears in front of her, watches her contorted, stupid expression, enjoys the fact that she is looking at him in fear and desperation, and that he will be the last thing she sees. Her final expression is a death stare of total shock, eyes very wide and cross eyed, her tongue fully protruding. She is still upright, pinned to the door. He pulls off her clothes. Then he brings in Judy's body, now fully naked, and places it at the feet of Nata's upright dead body, her face looking up at Nata. The camera surveys their naked bodies and shocked stares of death.  The traitors have paid the penalty.

IF YOU LIKE THIS CLIP PLEASE CHECK OUT
Blood Heel (Dark Rooms)
Persecution Mania 

*The script, model choice and fetish elements list were done by customer who donated some funds and got the clip the customer wanted to see!
You can do your custom order too! Inside the video you will find custom-ordering instructions!
THANK YOU!
     ANCIENT AMULET
    23 minutes
      ANCIENT AMULET - ANCIENT AMULET
Starring: Scarlett Fandera, Judi, Tim, Max
CUSTOM
«Very Good production, Judi is perfect like always, and scarlett is very gorgeous too, i can say her acting is perfect, i want to see her acting again, and want to make movie with this darkroom again and again"»
Customer’s Review
Fetish Elements
Fighting to the death, Beating, Cruel Beating, Blood from month, Comics and Super Heroines, Interesting Plot, Stabbing with a knife, Stabbing with a big spear, Girls kill man, Man kills girls, Bodypile, Death Stare, Long Agony Before Death, Near to Death, Death 
One plot includes different scenes can be interesting:
1.Scarlett is beaten and stabbed by a soldier
2.A male soldier is stabbed by Judi
3.Scarlett is dying but Judy save her by magic
4.Scarlett sees the dream where Judi is stabbed to her death from behind (great emotions and surprised reaction)
5.Scarlett is stabbed and then shot to her stomach by a villain 
6.Judy tries to save her but she can’t
7.Judi and a villain kill each other with stabbings
8.Scarlett and Judi die together

Plot
Two brave girls try to save the world and fight against mad professor and his slave who can activate virus to destroy the world…  THE LAST NIGHT 2
    24 minutes
      THE LAST NIGHT 2 - THE LAST NIGHT 2

CUSTOM

Cast: Sonya Krueger, Kurt Romanoff, Alex Lang, Morsus

Fetish Elements:

Stalking, Chloroforming, Knocked Out, Strangulation, Agony After Death, Playing with Body, CSI Scene, Investigation Scene

 

PLOT

Young businesswoman returns home at night from business trip. She doesn’t know she is the next victim of ritualistic serial killer who kills beautiful girls. She sees something strange at her house but thinks the mess is because of her cat. But it’s HE! He attacks her suddenly, chloroforms her first and after brutally strangles her for her death…

Next morning detectives comes… They understand now it’s the job of serial killer…

TO BE CONTINUED…

 PLEASE DON’T MISS THE FIRST PART

THE LAST NIGHT 2
     ARCHER 7
    22 minutes
      ARCHER 7 - ARCHER 7

CUSTOM

Starring: TANYA, LUIZA,  YANA and WES

ARROWING AND CHOKING

This film is a piece of the missing constructor about the archer's case, which was needed to restore the logic of the series.

After the private detective and the police could not catch the archer, the dance club manager hired a killer to destroy the villain. The archer led a terrible hunt for dancers, and therefore the actresses refused to work with him. Many girls began to leave the city, fearing the terrible threats of a maniac.

The killer woman worked undercover. She got a job in a dance club, and together with two dancers, she was invited to a private party. This was usually how Archer lured his victims into the lair, where he killed them ...

IF YOU LIKE THIS FILM PLEASE CHECK OUT

THE ARCHER  and ARCHER 2,3,4,5,6,8,9, 10, 11, 12, 13, 14, 15  THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.”

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.”

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?”

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!” with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.”  He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?”

Max winks at the camera.
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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