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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     1920s Sdc
    10 minutes
      1920s Sdc - SHOT DEAD COCKTAIL 1920s

Shooting scenes set in Great Gatsby style.  USA 1920s.
BEAUTIFULL STYLISH EROTIC DETECTIVE SET. 
MANY SHOOTINGS

Two ladies (rich young wife and her friend  - golf-player) are shot many times by gun.

Fetish elements
Elegant retro dress, black gloves, white gloves, retro-location, shooting several times to the chest, sitting pose deaths, falls to back, falls bottom up, short shorts, black stockings, bare legs, high heels, sport shoes.  MIRA WITH A KNIFE
    18 minutes
      MIRA WITH A KNIFE - MIRA WITH A KNIFE 
CUSTOM PROJECT
Starring: Mira Green and Unholly Polly 

Consists: Female Fighting, Nudity, Stabbing, Dominatrix Boots, Many Stabbings, Stabbing into the stomach, GIRL VS GIRL, Cat fighting to the death 

The same setup like in CHEATED WIFE GETS REVENGE movie but this time Mira plays a spy who is planning a battle with another female spy – Unholly Polly. Polly is waiting for her just in her dressing gown. During the battle Polly takes of her dressing gown to be fully naked for more comfortable for fighting. But the end of Polly is terrible and bloody from Mira Greens sharp, merciless knife
     NOT A GOOD DAY FOR A SPY
    18 minutes
      NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE

Film Type: Action/Spy film that goes sideways

Actress: Emma

Villain Actors:

Crime
boss: male villain

Betraying
agent: male or female

Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.

Length: 15-20 minutes

Synopsis:

 

Scene
1:

This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.



Scene 2:

They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained

by the arms from behind by one enemy, punches by the other, villains take turns with the beating

Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall

Crawling away, kick to stomach Kicking when down

Pulled up from the ground by her hair

Bearhug

Anything else - be creative!



Scene 3:

She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.

 

Scene 4:

She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.

 

IF YOU LIKE THIS MOVIE PLEASE CHECK OUT

Super Agents vs Villains  DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


IF YOU LIKE THIS CLIP PLEASE CHECK OUT

SHORT SHORTS

And check out
9 stabbing of Nata
     TOM AND JACK KILLING MOLLY
    13 minutes
      TOM AND JACK KILLING MOLLY - TOM AND JACK KILLING MOLLY
Wow! Totally amazed by the quality of your work. It was really beyond my expectations. The script was followed nicely as well as some extra things have been added in order to make this film perfect. Will definitely do more projects with you guys in future..
Review of Customer
 
Actress: Sonya Kruger.
Actors: Max and Romarius.
script:
Sonya plays a college girl who is very intelligent and comes first in the exams. Two guys (studying in same class of Sonya) who are a bit shy to talk to girls share a psycho fetish that involves killing a girl mercilessly such that the girl dies very painfully. They want to see the victim suffering and that arouses them. It is the will to survive of the victims that gives them pleasure. Sonya is going to be their first victim.
When Sonya returns from college, the duo are already waiting for her inside her home. Guy1 grabs her from behind and the girl gets really scared and screams like crazy. They have forgotten to bring the chloroform, so the other guy, i.e: guy 2 places his hand over her mouth resulting in muffled screams. The girl is really scared and is crying as well as trying to scream. She looks helpless and is desperately trying to get free. But the men are strong, she can't escape. Then guy 1 asks guy 2 to grab her legs (as she is kicking a lot) and lift her up and bring her down to the floor in order to kill her. guy 1 who is behind her now places his hand over her mouth as guy 2 uses both of his hands to hold her arms and legs and take her down. Them guy 1 tells the other guy to give him a rope. Meanwhile Sonya is still struggling to get free. Guy 2 has a thin rope in his pocket and gives in to guy 1. Sonya knows that something is wrong and guy 1 is enjoying it. He allows Sonya to scream/cry/beg for 2-3 seconds and then instantly wraps the rope around her neck. Sonya is really shocked. Her expressions say it all. She cannot breath and her eyes go wide in fear. She is really scared and is thrashing very very hard. She kicks and tries to escape and twisting her body while trying to get some air. She panics and keeps thrashing her and there. It is definitely not easy for the guys to control her. Guy 2 who is holding her down loses his grip multiple times. But guy 1 isn't letting the rope go loose. He is applying full force while sonya is trying to scream (but she can't). She is really a good fighter. The guys also say that she is a fighter and why isn't she dying. Sonya is thrashing her limbs very hard. She starts to slow down after 2-3 minutes of continuous thrashing. Her eyes are filled with tears, her life fading away. Her movements reduce to jerks and spasms. Guy 2 lets her loose after 3 minutes. She is still kicking and spasming weakly. Suddenly she undergoes heavy spasms. Guy 2 again holds her legs. Finally she weakens again and guy 2 lets her limbs go. Finally  after 5-6 minutes, the girl is dead. But she is twitching involuntarily for a minute. It was a new experience for the duo and they really enjoyed  their first kill. Both are sweating heavily and they remove the victim's clothes (as much as Sonya is comfortable with) and her shoes afterwards. Sonya is staring at nothing and has a really sad death stare. Her eyes look teary and look like she was really begging them to spare her life. The two guys then leave the house and the corpse remains there.  GORY PHOTOSESSION part 2
    7 minutes
      GORY PHOTOSESSION part 2 - Gory Photosession 2
Part 2
В ролях: Kate, George
Fetish elements: beheading, blow to the head, brain, crushing the head, brains outside, posthumous agony, blood, lots of blood, wrap the body in cellophane

The administrator of the studio goes to check the hall after the photo session. The girl sees dirty bloody divorces, and thinks that this is part of the props. She undresses not to get her clothes dirty and starts cleaning up the studio. But the photographer-maniac approaches her with an ax, frightens her, puts it into a stupor and strikes him with an ax in the head! The girl stands motionless, and from her head fall slimy brains directly to the floor. The brainless woman looks at her brain with a reflexive look next to her, and then falls, and the body long agonizes like a decapitated chicken, yielding to a reflex. After some time, the dead body stops jerking. The photographer licks her brains, inserts it into her hand and wraps it in cellophane tape.
If you like this video please check out
Gory Photo session 1
Expedition 
Machete Skill
     WITNESS PROTECTION 2
    17 minutes
      WITNESS PROTECTION 2 - MIRA AND JUDI DEATH
CUSTOM

Actress: Judi and Mira Green.
Actor: Max

Dress:
Judi: similar outfit as last time, white shirt, black skirt, stocking. 

Mira: white short tight slip dress.  (with no bra)  

Element: 
Multiple Chest shot with realistic bullet makeup( like “female soldier attack”)/ mouth foaming from poison/ tongue out/  long death struggle/ blood cough/ relatively a lot blood/ undress/ nude/ death stare

Note: please use a little bit more blood on body and clothes than last custom. 

Background: 
Judi is policewoman who is assigned to protect Mira. One day, they were inside their room. And a delivery man showed up and told them they have ordered some alcohol (liquor or wine). Judi and Mira were confused but took the alcohol. 

1st scene: 
Judi told Mira to be careful but Mira pours a glass and drinks in her room. She then feels awful. Her body started convulsing and foam came out of her mouth. She struggles to stand up and exit the room and ask for help. Judi helped Mira sit in a sofa and tells her she is going to be ok. Mira’s body still convulses and foams in mouth. 

2nd scene: 
Suddenly, the delivery man enters the room with gun in his hand, and tells Judi to disarm herself because he has antidote to the poison and can save Mira. Judi drops the gun but is shot four times on her chest. ( if possible show bullet hole form on body as they appear in ‘female soldier attack’ in this film) Judi stumbles and drops to ground. She can’t breath and experience a lot of convulsing and struggles. She coughs blood multiple times (Show a little bit of camera focus on facial expression during struggle) and finally dies with mouth and eyes open. (tongue slightly out). Her body twitches for a little after death. 

3rd scene:
The delivery man turns to Mira and inject her with antidote. She recovers, and wipes the foam off her mouth and face. She was scared and tired. The man asks her to tell him where she hid the money. After she answers, the man tell her to stand up and tells her ‘it is nothing personal’ and shoots her four times in her chest. She stumbles in shock before dropping back to the sofa. Because she was shot in the lung, she struggles to breath. She was shocked by her wound and the pain made her tear her dress and check her wound. (Showing realistic bullet makeup) She coughs blood multiple time and her tongue sticks out slightly while trying to gasp for air. (Show a little bit of camera focus on facial expression during struggle) She then dies with eyes and mouth open( tongue slightly out) and with slight twitches of body. 

Last scene: 
The killer undresses Judi and Mira and lay them on the ground and looks at the bullet holes before leaving.  Midnight Strangler
    9 minutes
      Midnight Strangler - Starring: Nata and Den

 

Office girl in black pantyhose  was strangled in her apartment
     MIRA VS LUIZA
    11 minutes
      MIRA VS LUIZA - MIRA VS LUIZA
Starring: Mira Green and Luiza
Fetish Elements: 
Catfighting, Stabbings, Fighting With Knives, Much Blood, Great Stabbing Scenes 
Plot
Mira Green is an experienced cop. She has a very good reputation among her partners, but her good work has also made her several enemies that are dangerous. Mira´s does not use guns that often, instead, she has specialized in fist and sword fighting, and that is why she loves to collect them. That is the reason why she has 2 small swords on her apartment.
Her enemies are dangerous, and one of them decides to hire a professional killer, Luiza, who also specializes in sword fighting, because she loves to stab her victims through their bodies and watch them bleed to death (SHE IS NO PSYCHO, so no expressions like Max in “Stabbing in the Rain” PLEASE). She also carries 2 swords, in case she loses one for a moment during battle, just like Mira.
Development:
1. Mira arrives to her apartment back from work, she seems tired after a long day of paperwork and no action at all, she seems pissed about it and says: “What a boring day! I could not fight anyone. If only I had the chance to use my swords someday.”
2. Mira goes to her kitchen, serves herself a glass of water and takes a couple of sips while she looks at her phone. She smiles a little since she saw something funny.
3. Suddenly, Mira hears a noise that comes from the living room. She seems kind of curious and scared at the same time as she leaves her glass of water on the table (she makes the expressions from the pictures below as she walks towards the living room)
    When she hears the noise.
4. Mira walks inside the living room, and the first thing she sees is Luiza, who is holding one of her swords while the other is left on the couch.
5. Luiza says: “Finally, you notice that I am here.”
6. Mira responds: “Who are you? How did you get in here?”
7. Luiza points at Mira with her sword and says: “A good killer can get inside any place, and… well, I suppose that you know who I am now. I am Luiza and I am here to kill you. Just imagine this inside your body.” Mira makes the expression from the picture below.
8. Mira says: “I don´t know who hired you, but you are making a big mistake. Maybe we could reach an agreement?” While she says that, Mira slowly walks to the place where she has one of her swords.
9. Luiza responds: “I don´t think so. You will die today.” After that, Mira grabs her sword and challenges Luiza by saying: “I told you this was a mistake, I was saying that for your own sake, since no one beats me with swords. Let´s see who stabs who first.”
10. Luiza tries to attack first, going straight for Mira, while Mira defends herself using her excellent sword fighting skills. Both of them fight hard and get near each other with their swords clashing against each other. Mira smiles and says: “Not bad, but not good enough.”
11. Mira believes that she has the perfect moment to attack and stab Luiza, but the problem is that her rival has studied her techniques very well and knows what Mira is about to do.
12. Mira tries to stab Luiza on her chest, but Luiza wisely dodges the attack, spins and appears right behind Mira. Mira quietly says: “Shit!!!” as she knows what is about to happen.
13. Luiza strikes first, as she stabs Mira in her back, with the sword coming out of her chest, between her breasts, almost getting her heart. Mira is shocked, as she makes a face of surprise while she slowly turns her head down to see the sword that came out of her chest. (See the picture below to see the expression on Mira´s face and the place where the sword should come out from) The sword is fully red, full of blood. The blood is dripping from the sword and Mira´s shirt starts to turn red all around the wound. (Take a good shot of the sword that went through the chest of Mira.)
14. Luiza smiles and whispers on Mira´s right ear: “Not bad, but not good enough, Mira.” She says that as Mira is processing what just happened, static because of what happens, as blood starts to come out from her mouth.
15. Luiza leaves the sword inside Mira´s body, as she watches her walk a little, trying to breathe. Luiza just crosses her arms and watches Mira walk away to take some distance.
16. Mira is far from defeated, as she spits some blood and recovers her posture. She looks at Luiza and says: “Now you have no sword. It´s my turn.” 
17. Mira grabs her second sword and now has one sword on each hand, since she never dropped the one she had first. Luiza is scared, but she has no place to hide.
18. Mira goes straight for the attack, EVEN WITH A SWORD STUCK INSIDE HER CHEST, that does not slow her down and attacks Luiza.
19. Mira stabs Luiza in the belly, with the sword coming out of her back. Mira twists the sword as Luiza grunts and gasps for breath. (Luiza makes an expression like the picture below) The sword starts dripping the blood of Luiza, as the shirt turns red because of the blood from both sides of the body. The sword is also fully red, full of blood.
20. Mira leaves the sword inside Luiza, punches her in the face, making Luiza turn her back on Mira, who takes advantage and stabs Luiza with her other sword, in the back, with the sword coming out of her chest. (Literally same place where Mira was stabbed) Take good shots of the swords that went through the body of Luiza.
21. Mira whispers to Luiza´s right ear: “I want to see if you can resist as much as I can.” While she says that, Luiza spits blood from her mouth, as some of it falls on her shirt. She is stunned as she has the same expression as the one from the picture below for a few seconds.
22. Mira takes the sword out of Luiza´s back, and leaves the other sword stuck inside her belly.
23. Luiza knows she has no sword, and realizes that her only choice is to use the sword that is stuck inside her belly. Luiza slowly takes out the sword from her body, while she screams in pain and drops blood from her mouth nonstop.
24. Luiza finally takes out the sword, which is dripping blood, as she tells Mira: “I can still fight. No problem at all.”
25. Mira goes for the same attack, and successfully stabs Luiza in the chest, with the sword coming out of Luiza´s back (check picture below to see where I want the stab to be)
26. Luiza opens her arms, and drops her sword as the force of the stab pushes her a little. She coughs even more blood as she looks at Mira´s face in pain.
27. Mira was smiling at Luiza´s suffering face, but her reaction changes instantly, as she notices that Luiza is holding her arm, so she cannot take out the sword. (Take shots of the arms of both models at that moment, also from the sword, the shirts of both models red because of the wounds, as well as a good expression of doubt from Mira, like she does not understand what is going on)
28. Mira asks Luiza: “What did you let me stab you?”
29. Luiza just headbutts Mira, finally takes out the sword that was still stuck inside Mira´s chest, and then takes out the sword from her own chest. Now Luiza has 2 swords in hand and Mira has none. (Mira makes the following expression when Luiza takes the sword out of her body, as she also coughs blood that falls on the floor and her shirt.)
30. Luiza quickly reaches Mira and stabs her in the back, with the sword coming out of the left breast of Mira. (Mira is stunned as her clothes are even more red, full of blood. The sword is dripping blood and she makes the following face when she gets stabbed)
31. Mira tries to walk, but Luiza has a good grip on the sword and does not let Mira get away. Luiza takes the sword out of Mira´s body and Mira turns around.
32. Luiza stabs Mira again, with her 2 swords at the same time. (Check the picture below to see where she gets stabbed). 
Both swords come out of Mira´s back (have a good shot of both swords full of blood going through the back of Mira) Mira makes the following expression when she gets stabbed:
33. Luiza takes both swords out of Mira´s body, and says: “I know that is not enough.” Luiza is heavily injured too, and struggles to breathe, but can still get her job done.
34. Mira struggles to move, and grabs her chest, where she has the VERY FIRST WOUND, as it keeps squirting blood with no end. She tries to cover the wound with her hand, but the blood keeps coming out, dripping now over the hand of Mira. 
35. Mira cries and screams in agony, as she looks to Luiza and begs for mercy: “Okay, you won, you are the best. Please, let me live and I will pay you better than the man who hired you.”
36. Luiza drops the sword from her left hand, puts her hand on Mira´s right cheek, kisses her, smiles at her, and finally stabs her with the other sword right on the heart. 
37. Mira is left with her eyes wide open, as tons of blood flow from her mouth like a waterfall (exaggerate with the blood). Mira gurgles because of the blood.
38. Mira is done, she kneels down, but uses the last of her strength to grab the sword that Luiza dropped and stabs her very well. 
39. Luiza did not see that coming, as she puts an expression showing she is amazed. She did not expect that at all!! She cannot stop the blood that comes out of her mouth like a waterfall.
40. Luiza cannot stop panting and grabbing the wound, as blood cannot stop flowing out of her body. Her eyes are wide open too.
41. Luiza still has some energy left, and pushes Mira, who falls to the ground. By pushing her, the sword comes out of Luiza´s body, as Mira did not drop it.
42. Luiza realizes that she must finish Mira, so she uses one of her swords to stab Mira to death. (Luiza stabs Mira between 10 and 15 times, like the final scene from “Stabbing in the Rain”) 
43. Mira finishes like the picture below. Completely obliterated. (Leave her with much more blood on her mouth at that moment.)
44. Luiza struggles with the pain, drops her swords as she puts her left hand on the wound from her chest, due to the fact that tons of blood keeps coming out of her body.
45. Luiza grabs her phone, and calls the person that hired her to kill Mira. Luiza says: “It´s me. I did it. Mira is dead, let me send you a picture of her dead body. One last thing… I am badly injured and bleeding way too much. I am heading to you place, please have a doctor ready for me or I will die too.”
46. Luiza takes a picture of Mira, as Mira´s dead, bloody and wounded body has already formed a HUGE pool of blood on the floor all around her, as blood keeps squirting out of each and every single one of her wounds. (Please exaggerate with the amount of blood and the size of the pool of blood.) Take a big shot for a lot of seconds of the dead body.
47. Luiza says: “You were one hell of a rival. Sweet dreams.” And finally leaves the room with tons of pain while grabbing her wounds. (Show with the camera her back full of wounds and blood while she prepares to leave, maybe 10 or 15 seconds) Also take a good shot of how her body finished.
IF YOU LIKE THE FILM PLEASE CHECK OUT
NO WINNERS
   MERCENARIES
    11 minutes
      MERCENARIES - MERCENARIES

CAST: Bella Lenina, Max

FETISH ELEMENTS:

Shooting to the breats (4 bullets), Shooting to the low belly near vagina, long death, crying, death, death stare, sexy military uniform, carrying body, stripping bopdy to full nude, touching face, legs and breats of dead girl

 CUSTOM

«Hi! I’m sorry, this morning is very busy and I just watched the movie. Great Work Ugine! It is so much better than I can imagine! Exactly what I want! Thank you! And Max and Bella are great actors!»

Customer’s Review

 

Bella Lenina—— brave commando girl, same clothes and appearance as Bella in GUN DEAL GONE HORRIBLY WRONG

       Male commando——normal soldier appearance, Bella’s teammate

Script:

1.  Bella and a male soldier infiltrated the rebel base together, and they successfully passed some difficulties. When they dive into the deepest part of the base, Bella needs to install bombs and blow up the base to reverse the decline of the battlefield.

2.  Just as she was about to install the bomb, the male soldier rebelled. He was actually the undercover of the rebel army. The soldier forced bella to the corner with a gun and wanted to touch Bella.

3.  Bella is a loyal and brave soldier, she wants to fight back when the man is careles. But Bella failed. When she pulled out the gun, the man fired two shots first, and accurately hit Bella’s two nipples. Bella leaned against the wall in great pain, groaning in pain, and still tried to shoot with the gun.

4.   The male soldier fired again and two bullets hit Bella's breast (between the two nipples). This time bella lost her strength and fell to the ground gradually. She groaned, and the male soldier shot her in the lower abdomen. Bella died in great pain.

5.  The male soldier dragged Bella's body to the side, took off his clothes, and stroked Bella's breasts and body (like POLICEWOMAN IN A DRUG-DEN).

6.  Finally, there is a close-up of bella's body.


PLEASE ALSO CHECK OUT


SNIPER AND BELLA LENINA
     STAR
    13 minutes
      STAR - THE LEAGUE OF THE STAR
CUSTOM MOVIE
Starring: Nata, Marina
Fetish elements:
Headshot (slow, sexy and cinematic scene)
Girl kills girl (shooting, two bullets to the chest)
Searching evidence on the dead body 
Strangulation in the car scene
Spy theme
Black dresses
 
Nata is on a bed sleeping, but she is restless, she is having a nightmare.
We see her in an executive suit leaving a house and walking to a car. When she is about to open the car’s door, she turns to the camera and fear fills her eyes.
We hear a shot and a hole appears in Nata’s forehead she stumbles back on the car’s bonnet and dies.
Nata suddenly awakes, she sits on the bed, she is naked and sweating, her breasts fall and rise with her heavy breathing caused for the nightmare she just had.
She comes out of bed and drinks wáter from a glass that is on her bureau. She calms down and go to the bathroom.
She runs the wáter in the shower and beholds her naked body on a mirror. Her look is now determined.
After a while,  the door of the bathroom opens and Nata comes out wrapped up in a towel. She sits on the bed and takes her cell pone, she dials a number.
She talks to someone saying: “Mike? I have decided to tell everything I know about the “Star”.  Yes I’m sure and don’t worry, I can take care of myself. See you.”
She hangs up, unwraps the towel and dress in black panties and a short black dress. From a drawer she takes a gun and prepares to leave her apartment when she realices someones is trying to enter.
She hides behind a door just as the intruder comes in. It’s a woman that has a gun and is entering trying not to make a noise.
When the woman is in front of the bed, Nata asks: “Are you looking for me?”
The woman who entered turns startled and doesn´t have time to react. Nata shoots her twice in the left breast. The woman falls dead on her back on the bed.
Nata approaches  and checks for a pulse in the woman’s neck, closes the corpse’s eyes and then checks the back of both her hands. She doesn’t find anything, so she opens the blouse of the girl. She has no underwear so she discovers a mark with the shape of a star in her left breast.
She watches the body and with disdain she says: “Stupid amateur” and leaves the room.
She is now in the same place as in her nightmare. She walks to her car being alert, pistol in hand, for the presence of someone stange. There is no one. She enter her car.
She leaves her gun in the copilot seat, puts the key in the start  and reach for the safety belt but before she can fasten it a man that is hidden in the back seat puts a string around Nata’s neck. We can only see his hands, and one of them has a star shaped mark.
The hands hold the string tight to Nata’s neck, she can’t scream and just gutural sounds come out of her throat. She tries to reach for her gun, but the string is so tight attached that she doesn’ have a chance.
The suffocation is unbearable, Nata sends both her hands to the string trying to loosen it but is useless, her hands slip from her neck to the front of her dress and she pulls it off leaving her full breasts exposed.
She tries again to grab the string but again she fails, her hands slip again and now she rests them on her breasts and then her hands go limp to her sides. She is dead. The hands stops the powerful grip releasing Nata’s neck. Her head leans towards the drivers’ door. Her eyes and mouth open.
We can see Nata through the doors window and we hear that the back door is opened and then closed. We see that the hand that strangled her now opens the driver’s door.
Nata’s body hangs out of the car just partially. Her long black hair and her hands touching the floor, her beatiful breasts exposed. The Star is not defeated.  BLOODY WEDDING DAY
    12 minutes
      BLOODY WEDDING DAY - BLOODY WEDDING DAY 

CUSTOM
«That was AMAZING. Mira was a great choice, and her long drawn-out mortal agony was super sexy. And you were as good as your word. There was lots of blood»
Customer’s Review

CAST: Mira Green, Den

Fetish Elements
Wedding Dress, Stabbing, Much Blood, White Stockings, Stripping Body


The model in front of the mirror, just putting the final touches on her make-up. There is a knock at the door.

"Come in," she says.

The door opens and she sees the reflection of the male actor in the mirror. Her face registers shock - she knows this guy. She turns around.

"What are you doing here?" she asks.

The killer shows a knife.

"You know," he says.

She laughs. "Are you crazy or something?"

"You left me for David," he says [use whatever name you like]

"Yes I did. David is worth ten of you. And I am marrying him today."

"David is dead."

She laughs again. "You really are crazy."

"Ring him if you want."

Just at that moment her phone, which is on the table in front of the mirror, rings. She recognises the number and takes the call, looking worried.

"Yes?" she says. Then, as she listens her face registers extreme shock. She lets the phone fall.

"You killed him?" she says in a whisper.

"Yes, I killed him. And now I am going to kill you."

She struggles successfully to control her emotion, and then she faces him squarely. "All right then," she says, "go ahead and do it."

He lunges at her and stabs her in the belly. Her face registers pain and she cries out. He twists the knife and cuts upwards, while she grunts in pain. Then he takes out the knife. She looks down at your belly and clutches it, with blood oozing through her fingers and a stain spreading on the dress. [I'd like lots of blood, please!] She totters forward a few steps. Then she coughs blood and collapses to the floor.

As she lies on her back on the floor writhing in pain he stabs her in her right breast, then in her left breast. She coughs up more blood, then shudders and dies. [Lots of blood on the dress now please!] And a slow pan over your clothed "corpse".

"You're not marrying anyone," he says. He rolls her over onto your front and unzips the dress. Then, moving her around as necessary he takes off the dress and throws it to one side. Then he removes the lingerie, piece by piece, leaving only the stockings. And then another slow pan. 

IF YOU LIKE THIS FILM PLEASE CHECK OUT
UNDERCOVER POLICE WOMAN
BRIDGE
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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