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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 965 Clips / 16587 minutes of video!
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![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
![BEAUTY TO SOIL - BEAUTY TO SOIL
CUSTOM
«Thank you! The performance and makeup are fantastic! It is beyond my expectations! I'm very impressed of how your studio make progress in these years! And the makeup definitely followed my instructions, even the very detailed patterns! And Keila is definitely a great actress! Her performance is so attractive, nature and realistic!»
Starring: Keila and Billy Brag
Fetish Elements: Poison, Agony, Very naturalistic agony and death scene, sweat during agony, cadaveric termination, cadaveric decomposition, stages of cadaveric decomposition, undressing the body, transferring the body from place to place, dressing the body, playing with the body, necrophilia, necrofetishism, dead body in the forest
ATTENTION! VERY REALISTIC MAKEUP OF THE CORPSE!
Plot
CHAPTER 1: Alive
background: Max and Keila are best friends. Keila is dying due to some disease
1. Keila calls Max to see her. She told him she is dying
2. Keila induce Max to play her dead body
Talk: Keila and Max. [Keila lying on a chair and she is very weak]
Keila: Do I look ugly now?
Max: No, you are a beauty
Keila: But … I will become a dead body … this body … will be no different to a giant dead meat …
Keila: Will you feel sick of me? I will be cold, stiff, and smelly …
Max: no…
Keila [weak smile]: After I die, please help me to dress in these white clothes, and let me become soil in the forest…
3. Keila suddenly feels bad and fall down to the ground
CHAPTER 2: Death
1. Pain: Keila is pain
2. Last struggle
a. At first, she is struggling with large movement;
b. Then her movement becomes smaller and have high frequence, like tremble;
c. She was drenched with sweat. Her full body is sweat include part of her hair
d. Then, her mouth and nose have blood coming out.
3. Last words
a. Keila is in Max’s arms
b. Keila’s eyes are closing, and she tries her best to re-open her eyes. Her eyes can rolling back in this process;
Keila [very weak]: This corpse is yours…
Keila’s eyes slowly become half-open
4. Die (very important, see image below. This face expression is always the same for the entire film)
a. Keila’s eyes are half-open
b. Keila’s eyes are looking straight
c. Her mouth is half-open
CHAPTER 3: Clean
1. Max removes Keila’s clothes genteelly
a. Note: when removing clothes, there should be sweats on her abdomen and breasts
2. Max cleaning Keila’s sweats and blood
a. The blood should not be fully cleaned. There should be some trace of blood.
3. Changing clothes
a. Max carry Keila to bed
b. This process should show her body is soft
c. Keila has no underwear
CHAPTER 4: Change
1. Day 1: stiff
a. Max carry Keila to the forest
b. Keila’s body become stiff and hard to change pose
c. Max turns Keila and sees her back. There are some red pattern on her back, which is the “Livor mortis” (see image below)
d. Max put Keila to a sexy pose, but Keila’s body is still stiff
Livor mortis: on her back, there are red patterns. But the area that contact ground don’t have such patterns
2. Day 2: soft
a. Max come back to see Keila
b. Keila is soft again
c. Max opens her clothes and touches her breasts, moving her body, changing her pose, huge, etc.
3. Day 3: rot
a. Max remove Keila’s clothes in a brutal way
b. He found Keila’s body is rot (see reference image below)
c. Finally, show her body
IF YOU LIKE THIS FILM AND WANT TO SEE MORE REALISTIC DEATH SCENES AND CORPSES MADE BY DARKROOMS PRODUCTION PLEASE CHECK OUT
COUNTRY OF BEAUTY
MORGUE FOR ORPHAN
POSTMORTEM PHENOMENA
DEATH OF SCARLETT IN 2070](studio/images/beautytosoilscreenscover-a94.jpg "BEAUTY TO SOIL - BEAUTY TO SOIL
CUSTOM
«Thank you! The performance and makeup are fantastic! It is beyond my expectations! I'm very impressed of how your studio make progress in these years! And the makeup definitely followed my instructions, even the very detailed patterns! And Keila is definitely a great actress! Her performance is so attractive, nature and realistic!»
Starring: Keila and Billy Brag
Fetish Elements: Poison, Agony, Very naturalistic agony and death scene, sweat during agony, cadaveric termination, cadaveric decomposition, stages of cadaveric decomposition, undressing the body, transferring the body from place to place, dressing the body, playing with the body, necrophilia, necrofetishism, dead body in the forest
ATTENTION! VERY REALISTIC MAKEUP OF THE CORPSE!
Plot
CHAPTER 1: Alive
background: Max and Keila are best friends. Keila is dying due to some disease
1. Keila calls Max to see her. She told him she is dying
2. Keila induce Max to play her dead body
Talk: Keila and Max. [Keila lying on a chair and she is very weak]
Keila: Do I look ugly now?
Max: No, you are a beauty
Keila: But … I will become a dead body … this body … will be no different to a giant dead meat …
Keila: Will you feel sick of me? I will be cold, stiff, and smelly …
Max: no…
Keila [weak smile]: After I die, please help me to dress in these white clothes, and let me become soil in the forest…
3. Keila suddenly feels bad and fall down to the ground
CHAPTER 2: Death
1. Pain: Keila is pain
2. Last struggle
a. At first, she is struggling with large movement;
b. Then her movement becomes smaller and have high frequence, like tremble;
c. She was drenched with sweat. Her full body is sweat include part of her hair
d. Then, her mouth and nose have blood coming out.
3. Last words
a. Keila is in Max’s arms
b. Keila’s eyes are closing, and she tries her best to re-open her eyes. Her eyes can rolling back in this process;
Keila [very weak]: This corpse is yours…
Keila’s eyes slowly become half-open
4. Die (very important, see image below. This face expression is always the same for the entire film)
a. Keila’s eyes are half-open
b. Keila’s eyes are looking straight
c. Her mouth is half-open
CHAPTER 3: Clean
1. Max removes Keila’s clothes genteelly
a. Note: when removing clothes, there should be sweats on her abdomen and breasts
2. Max cleaning Keila’s sweats and blood
a. The blood should not be fully cleaned. There should be some trace of blood.
3. Changing clothes
a. Max carry Keila to bed
b. This process should show her body is soft
c. Keila has no underwear
CHAPTER 4: Change
1. Day 1: stiff
a. Max carry Keila to the forest
b. Keila’s body become stiff and hard to change pose
c. Max turns Keila and sees her back. There are some red pattern on her back, which is the “Livor mortis” (see image below)
d. Max put Keila to a sexy pose, but Keila’s body is still stiff
Livor mortis: on her back, there are red patterns. But the area that contact ground don’t have such patterns
2. Day 2: soft
a. Max come back to see Keila
b. Keila is soft again
c. Max opens her clothes and touches her breasts, moving her body, changing her pose, huge, etc.
3. Day 3: rot
a. Max remove Keila’s clothes in a brutal way
b. He found Keila’s body is rot (see reference image below)
c. Finally, show her body
IF YOU LIKE THIS FILM AND WANT TO SEE MORE REALISTIC DEATH SCENES AND CORPSES MADE BY DARKROOMS PRODUCTION PLEASE CHECK OUT
COUNTRY OF BEAUTY
MORGUE FOR ORPHAN
POSTMORTEM PHENOMENA
DEATH OF SCARLETT IN 2070")
