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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 976 Clips / 16791 minutes of video!
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![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
![JULIANAS AUDITION - JULIANA’S AUDITION
CUSTOM
Starring: Annabelle, Juliana
Juliana and Annabelle are friends. Juliana knows about Annabelle’s death fetish work and, in the middle of the pandemic, with work hard to find, she has asked Annabelle if she could make some extra money doing it. Annabelle is happy to put her forward and has explained Juliana will have to do an interview on CAM for her ‘Crime House/Dark Room’ sponsors, a Russian fetish film produce – including acting out a few murder scenes. This is the story of Juliana’s CHDR audition.
She is interviewed in Annabelle’s living room. Annabelle explains she has been on CHDR for nealry six months now, and it is a lot of fun and good money. She asks Juliana what she feels about acting out death scenes, and Juliana admits she hasn’t done this type of work before, but she’s willing to give it a try.
Annabelle is confident Juliana will be fine and explains that they will have to do three auditions, mainly in the bedroom – which is connected by hidden cameras to the CHDR sponsors. The sponsors decide on the scenarios and if Juliana is suitable to join the CHDR team. Annabelle explains that the clients like to see dramatic and sexy death scenes – with a decent fight to try and survive and a lot of pleading for mercy, fear and panic during the murder scene. Juliana is enthusiastic. She says she knows Annabelle well and it will be fun to get up close and personal with her friend. They hug, making it clear there is an attraction between them.
The next scene is in the bedroom. Juliana is sitting on the bed while Annabelle is looking at her phone. She tells Juliana that for the first audition, the client wants Juliana to play a bit of a slut. She has picked up Annabelle in a bar and brought her back to her apartment for some sexy fun. Unfortunately for Juliana, Annabelle is a serial killer who has been strangling tarty MILFs in Moscow. Once Annabelle springs her trap on a nude Juliana, Juliana will plead for mercy, but Annabelle will strangle her with her bare hands. Juliana should struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Juliana says that sounds easy enough. She smiles and gets up to hug and begin undressing Annabelle. Annabelle responds and undresses Juliana easing her back onto the bed. They kiss and cuddle for a while.
Annabelle asks Juliana “Aren’t you worried about the strangler who has been murdering girls in our city?”
Juliana laughs, “That’s why I picked you up – I’m not taking any risks with guys at the moment.”
Suddenly Annabelle pins Juliana’s hands down and says “You’re a fool. Why do you assume the strangler’s a man? I’m going to enjoy proving to you what a big mistake you made…”
Juliana thinks Annabelle’s joking and says, “Stop it darling, that’s not funny.” She tries to kiss Annabelle, but Annabelle pulls her hair back and pretends to slap her and twist her nipples. Juliana screams in pain and begs Annabelle to stop. She now realises Annabelle is the strangler and she begs her to let her go.
Annabelle stops torturing Juliana briefly and they hug each other affectionately. She says, “Maybe I will let you go.” For a moment Juliana looks hopeful…Annabelle kisses her tenderly…but then sits up on her belly and strokes Juliana’s hair, slowly moving her hands down towards her throat “I’m going to let you go….to hell.” She barks the last two works aggressively. And with that she begins to strangle Juliana.
Juliana’s eyes widen in shock and fear and she struggles desperately to break Annabelle’s grip and unbalance her. But Annabelle is too strong. Juliana fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Annabelle kisses Juliana on the forehead, says ‘cut’, and Juliana opens her eyes and they both laugh and hug each other affectionately.
Annabelle goes to her phone and tells Juliana the sponsors really liked her first scene. Juliana said she found it fun too – but hopes maybe in the next scene she can play the killer instead of the victim.
Juliana comes over and they look at the phone.
Annabelle smiles “Well you are going to get your wish...have a look at the script for the next scene…’virus madness’, it’s a really funny one. I did it once as the killer, but this time you get to murder me”.
Juliana reads the script from the phone and laughs. She hugs Annabelle again and gives her a little squeeze “Ooh – I’m going to enjoy my revenge.”
They go back on the bed, clearly as lovers. Juliana gets on top. She is pretending to be playful. “You know there is something you can do for me – but it will work much better if I restrain you a little.”
Annabelle is happy “You know I’d do anything, and I love a little bit of bondage play. Restrain me whatever way you want”. [Juliana positions Annabelle on her back and then ties one of her hands to the bedpost on the corner of the bed. Annabelle offers her other hand…]
J: Darling – both arms would be unfair. You deserve a chance – I owe you that.
A: What have you got in mind? You know I love both pleasure and pain. [she is laughing]
J: [Juliana turns serious] Did you see the article in the paper about that new extreme cure they’re testing for the virus? It’s hard to believe, but the Chief Medical Officer thinks the act of murdering someone you love can give you complete resistance from the infection.
A: [Annabelle looks confused] That’s complete nonsense. How can anyone believe something like that? And even if it was true…what a shocking thought – to have to murder your lover!
J: You know they are offering €10,000 to people prepared to test this, and immunity from any prosecution too. I’m really sorry, darling, but I decided to sign up.
A: [Annabelle tries to sit up, but Juliana pushes her back down and pins her free hand on the bed]. This is crazy. What are you telling me – that you’re going to kill me? I don’t like this game – just let me go. [She struggles a bit more but Juliana holds her down].
[Annabelle begs and pleads for a bit longer. But eventually Juliana begins to strangle her with both hands around her throat. Annabelle fights strongly with her free hand and tries to use her body to throw Juliana off. She kicks out with legs and tries to pull her knees forward. But Juliana resists everything. As Annabelle weakens, she begs again for mercy. She tries to loosen the hands around her throat; then she tries to push Juliana off. But Juliana just pushes her back down on the bed and tightens her grip. Finally, Annabelle begins to spasm and then her struggles become gentler and she tenses then relaxes and slowly closes her eyes.]
Juliana is happy and kisses Annabelle who opens her eyes. Now they are both relaxing after expending a lot of energy in the two scenes.
Annabelle looks at her phone again and laughs. “This is a little bit different”, she says. “For your third audition, they want us back in the living room in a wrestling ‘fight to the death’. They say they don’t mind which of us wins, but we should pretend we are wrestling for a big cash prize. The winner is the one who chokes out the other, and we should make it as realistic as we can.”
Juliana is also excited by the task. “I sometimes wonder what it would be like to wrestle with you,” she jokes. “Maybe I’ll surprise you with my speed and strength”.
Annabelle hugs Juliana gently and then tightens into a pretend bear hug. “No chance, my darling – I’m pretty confident.”
They reassemble in the living room with a small open area acting like a ring. They circle each other warily for a moment.
Juliana is already anxious about their relative strengths and so she charges Annabelle attempting to catch her before she is fully ready. Unfortunately for her, though, Annabelle alertly side steps the charge and elbows Juliana on the side of her back as she misses her. Juliana groans, but quickly turns back to face Annabelle who is now on her feet and highly mobile clearly waiting for the opportunity to pounce.
They smack their bodies into each other – Annabelle grinding her thighs against Juliana’s pussy. Their tits pancake against each other and Annabelle bearhugs Juliana, trying to squeeze the breath out of her. Juliana strains to get one arm free of the hug and tugs vigorously on Annabelle’s hair from behind – for the first time causing her some pain. Annabelle breaks the hug and grabs Juliana’s tits – squeezing until she lets go of her hair to push her back.
They are now circling each other in real earnest recognition that this fight is for real – but at the same time, still hot from the sensuality between them and the sexual tension integral to the struggle.
They lock up, smacking together and grabbing each other’s hair – stumbling around the room pulling each other off balance and bending their heads back and forwards wildly. They clinch again, the sweat now coming out of each of their bodies mingling. They are each trying to wrap their legs round the other, seeking to unbalance them and get them on the floor. Soon, with a loud thud, they are both down – rolling, thrashing, punching and trying to kick out against each other.
Annabelle again gets Juliana in a bear hug with their legs entwined and they roll across the floor before Annabelle comes to rest on top of Juliana, squeezing her tits hard again.
Juliana is now tiring and in real difficulty. She is moaning but she also knows she is sexually aroused, and this is distracting her from her resistance.
Juliana tries to go for Annabelle’s hair again, but the orgasm is enveloping her, and Annabelle continues to pound her with punches and to rub her pussy harder against her. Now Annabelle is aroused herself and, both exhausted, slumps with all her body weight on top of Juliana – pinning first one arm and then the other on the floor beside her.
Through their moans, Annabelle gasps, “Time to finish this darling – I’m so sorry but you knew the deal”. And before Juliana can respond, her hands go around Juliana’s throat and Juliana instinctively knows that she is going to lose and this is going to be her final struggle.
Juliana pushes up with her body attempting to throw Annabelle off her. She grabs her wrists to try and break the stranglehold. She prises at her fingers and thumbs. She punches her shoulders even trying to grip her friend’s throat. She kicks out, seeking to bring her legs into a position to lever Annabelle off. But nothing is working.
Juliana now knows she has to act as if she is going to die. She pleads for mercy in a choking voice and throws her head from side to side trying to find a position where she can breathe. Her struggles are becoming weaker and more random. Her tongue is protruding, and she is beginning to drool. She is looking straight into Annabelle’s eyes, seeking any sign that she might relent and let her escape. But she sees no mercy. She knows for certain now she is not going to let her go.
‘Almost over, honey,’ Annabelle is triumphant. Juliana’s moans get louder and then softer. At the end, Annabelle returns to her friends lips for a last gentle farewell. Juliana’s attempts to escape Annabelle’s grip slowly subside, her body spasms, her eyes close, and then finally she relaxes and is still.
Annabelle finishes the kiss, and Juliana wakes up. They both laugh and cuddle lovingly.
Annabelle picks up the phone and shows Juliana. They are both smiling. Annabelle says to Juliana “The sponsors like you a lot – and of course so do I. Welcome to our team….”
IF YOU LIKE THIS FILM PLEASE CHECK OUT
ANNABELLE AUTIDION](studio/images/secondauditioncover-23d.jpg "JULIANAS AUDITION - JULIANA’S AUDITION
CUSTOM
Starring: Annabelle, Juliana
Juliana and Annabelle are friends. Juliana knows about Annabelle’s death fetish work and, in the middle of the pandemic, with work hard to find, she has asked Annabelle if she could make some extra money doing it. Annabelle is happy to put her forward and has explained Juliana will have to do an interview on CAM for her ‘Crime House/Dark Room’ sponsors, a Russian fetish film produce – including acting out a few murder scenes. This is the story of Juliana’s CHDR audition.
She is interviewed in Annabelle’s living room. Annabelle explains she has been on CHDR for nealry six months now, and it is a lot of fun and good money. She asks Juliana what she feels about acting out death scenes, and Juliana admits she hasn’t done this type of work before, but she’s willing to give it a try.
Annabelle is confident Juliana will be fine and explains that they will have to do three auditions, mainly in the bedroom – which is connected by hidden cameras to the CHDR sponsors. The sponsors decide on the scenarios and if Juliana is suitable to join the CHDR team. Annabelle explains that the clients like to see dramatic and sexy death scenes – with a decent fight to try and survive and a lot of pleading for mercy, fear and panic during the murder scene. Juliana is enthusiastic. She says she knows Annabelle well and it will be fun to get up close and personal with her friend. They hug, making it clear there is an attraction between them.
The next scene is in the bedroom. Juliana is sitting on the bed while Annabelle is looking at her phone. She tells Juliana that for the first audition, the client wants Juliana to play a bit of a slut. She has picked up Annabelle in a bar and brought her back to her apartment for some sexy fun. Unfortunately for Juliana, Annabelle is a serial killer who has been strangling tarty MILFs in Moscow. Once Annabelle springs her trap on a nude Juliana, Juliana will plead for mercy, but Annabelle will strangle her with her bare hands. Juliana should struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Juliana says that sounds easy enough. She smiles and gets up to hug and begin undressing Annabelle. Annabelle responds and undresses Juliana easing her back onto the bed. They kiss and cuddle for a while.
Annabelle asks Juliana “Aren’t you worried about the strangler who has been murdering girls in our city?”
Juliana laughs, “That’s why I picked you up – I’m not taking any risks with guys at the moment.”
Suddenly Annabelle pins Juliana’s hands down and says “You’re a fool. Why do you assume the strangler’s a man? I’m going to enjoy proving to you what a big mistake you made…”
Juliana thinks Annabelle’s joking and says, “Stop it darling, that’s not funny.” She tries to kiss Annabelle, but Annabelle pulls her hair back and pretends to slap her and twist her nipples. Juliana screams in pain and begs Annabelle to stop. She now realises Annabelle is the strangler and she begs her to let her go.
Annabelle stops torturing Juliana briefly and they hug each other affectionately. She says, “Maybe I will let you go.” For a moment Juliana looks hopeful…Annabelle kisses her tenderly…but then sits up on her belly and strokes Juliana’s hair, slowly moving her hands down towards her throat “I’m going to let you go….to hell.” She barks the last two works aggressively. And with that she begins to strangle Juliana.
Juliana’s eyes widen in shock and fear and she struggles desperately to break Annabelle’s grip and unbalance her. But Annabelle is too strong. Juliana fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Annabelle kisses Juliana on the forehead, says ‘cut’, and Juliana opens her eyes and they both laugh and hug each other affectionately.
Annabelle goes to her phone and tells Juliana the sponsors really liked her first scene. Juliana said she found it fun too – but hopes maybe in the next scene she can play the killer instead of the victim.
Juliana comes over and they look at the phone.
Annabelle smiles “Well you are going to get your wish...have a look at the script for the next scene…’virus madness’, it’s a really funny one. I did it once as the killer, but this time you get to murder me”.
Juliana reads the script from the phone and laughs. She hugs Annabelle again and gives her a little squeeze “Ooh – I’m going to enjoy my revenge.”
They go back on the bed, clearly as lovers. Juliana gets on top. She is pretending to be playful. “You know there is something you can do for me – but it will work much better if I restrain you a little.”
Annabelle is happy “You know I’d do anything, and I love a little bit of bondage play. Restrain me whatever way you want”. [Juliana positions Annabelle on her back and then ties one of her hands to the bedpost on the corner of the bed. Annabelle offers her other hand…]
J: Darling – both arms would be unfair. You deserve a chance – I owe you that.
A: What have you got in mind? You know I love both pleasure and pain. [she is laughing]
J: [Juliana turns serious] Did you see the article in the paper about that new extreme cure they’re testing for the virus? It’s hard to believe, but the Chief Medical Officer thinks the act of murdering someone you love can give you complete resistance from the infection.
A: [Annabelle looks confused] That’s complete nonsense. How can anyone believe something like that? And even if it was true…what a shocking thought – to have to murder your lover!
J: You know they are offering €10,000 to people prepared to test this, and immunity from any prosecution too. I’m really sorry, darling, but I decided to sign up.
A: [Annabelle tries to sit up, but Juliana pushes her back down and pins her free hand on the bed]. This is crazy. What are you telling me – that you’re going to kill me? I don’t like this game – just let me go. [She struggles a bit more but Juliana holds her down].
[Annabelle begs and pleads for a bit longer. But eventually Juliana begins to strangle her with both hands around her throat. Annabelle fights strongly with her free hand and tries to use her body to throw Juliana off. She kicks out with legs and tries to pull her knees forward. But Juliana resists everything. As Annabelle weakens, she begs again for mercy. She tries to loosen the hands around her throat; then she tries to push Juliana off. But Juliana just pushes her back down on the bed and tightens her grip. Finally, Annabelle begins to spasm and then her struggles become gentler and she tenses then relaxes and slowly closes her eyes.]
Juliana is happy and kisses Annabelle who opens her eyes. Now they are both relaxing after expending a lot of energy in the two scenes.
Annabelle looks at her phone again and laughs. “This is a little bit different”, she says. “For your third audition, they want us back in the living room in a wrestling ‘fight to the death’. They say they don’t mind which of us wins, but we should pretend we are wrestling for a big cash prize. The winner is the one who chokes out the other, and we should make it as realistic as we can.”
Juliana is also excited by the task. “I sometimes wonder what it would be like to wrestle with you,” she jokes. “Maybe I’ll surprise you with my speed and strength”.
Annabelle hugs Juliana gently and then tightens into a pretend bear hug. “No chance, my darling – I’m pretty confident.”
They reassemble in the living room with a small open area acting like a ring. They circle each other warily for a moment.
Juliana is already anxious about their relative strengths and so she charges Annabelle attempting to catch her before she is fully ready. Unfortunately for her, though, Annabelle alertly side steps the charge and elbows Juliana on the side of her back as she misses her. Juliana groans, but quickly turns back to face Annabelle who is now on her feet and highly mobile clearly waiting for the opportunity to pounce.
They smack their bodies into each other – Annabelle grinding her thighs against Juliana’s pussy. Their tits pancake against each other and Annabelle bearhugs Juliana, trying to squeeze the breath out of her. Juliana strains to get one arm free of the hug and tugs vigorously on Annabelle’s hair from behind – for the first time causing her some pain. Annabelle breaks the hug and grabs Juliana’s tits – squeezing until she lets go of her hair to push her back.
They are now circling each other in real earnest recognition that this fight is for real – but at the same time, still hot from the sensuality between them and the sexual tension integral to the struggle.
They lock up, smacking together and grabbing each other’s hair – stumbling around the room pulling each other off balance and bending their heads back and forwards wildly. They clinch again, the sweat now coming out of each of their bodies mingling. They are each trying to wrap their legs round the other, seeking to unbalance them and get them on the floor. Soon, with a loud thud, they are both down – rolling, thrashing, punching and trying to kick out against each other.
Annabelle again gets Juliana in a bear hug with their legs entwined and they roll across the floor before Annabelle comes to rest on top of Juliana, squeezing her tits hard again.
Juliana is now tiring and in real difficulty. She is moaning but she also knows she is sexually aroused, and this is distracting her from her resistance.
Juliana tries to go for Annabelle’s hair again, but the orgasm is enveloping her, and Annabelle continues to pound her with punches and to rub her pussy harder against her. Now Annabelle is aroused herself and, both exhausted, slumps with all her body weight on top of Juliana – pinning first one arm and then the other on the floor beside her.
Through their moans, Annabelle gasps, “Time to finish this darling – I’m so sorry but you knew the deal”. And before Juliana can respond, her hands go around Juliana’s throat and Juliana instinctively knows that she is going to lose and this is going to be her final struggle.
Juliana pushes up with her body attempting to throw Annabelle off her. She grabs her wrists to try and break the stranglehold. She prises at her fingers and thumbs. She punches her shoulders even trying to grip her friend’s throat. She kicks out, seeking to bring her legs into a position to lever Annabelle off. But nothing is working.
Juliana now knows she has to act as if she is going to die. She pleads for mercy in a choking voice and throws her head from side to side trying to find a position where she can breathe. Her struggles are becoming weaker and more random. Her tongue is protruding, and she is beginning to drool. She is looking straight into Annabelle’s eyes, seeking any sign that she might relent and let her escape. But she sees no mercy. She knows for certain now she is not going to let her go.
‘Almost over, honey,’ Annabelle is triumphant. Juliana’s moans get louder and then softer. At the end, Annabelle returns to her friends lips for a last gentle farewell. Juliana’s attempts to escape Annabelle’s grip slowly subside, her body spasms, her eyes close, and then finally she relaxes and is still.
Annabelle finishes the kiss, and Juliana wakes up. They both laugh and cuddle lovingly.
Annabelle picks up the phone and shows Juliana. They are both smiling. Annabelle says to Juliana “The sponsors like you a lot – and of course so do I. Welcome to our team….”
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ANNABELLE AUTIDION")
