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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 965 Clips / 16587 minutes of video!
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![NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains](studio/images/notagooddayforspyscreens-81b.jpg "NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \\"You shouldn\'t have done that\\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains")
![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
![JULIANAS AUDITION - JULIANA’S AUDITION
CUSTOM
Starring: Annabelle, Juliana
Juliana and Annabelle are friends. Juliana knows about Annabelle’s death fetish work and, in the middle of the pandemic, with work hard to find, she has asked Annabelle if she could make some extra money doing it. Annabelle is happy to put her forward and has explained Juliana will have to do an interview on CAM for her ‘Crime House/Dark Room’ sponsors, a Russian fetish film produce – including acting out a few murder scenes. This is the story of Juliana’s CHDR audition.
She is interviewed in Annabelle’s living room. Annabelle explains she has been on CHDR for nealry six months now, and it is a lot of fun and good money. She asks Juliana what she feels about acting out death scenes, and Juliana admits she hasn’t done this type of work before, but she’s willing to give it a try.
Annabelle is confident Juliana will be fine and explains that they will have to do three auditions, mainly in the bedroom – which is connected by hidden cameras to the CHDR sponsors. The sponsors decide on the scenarios and if Juliana is suitable to join the CHDR team. Annabelle explains that the clients like to see dramatic and sexy death scenes – with a decent fight to try and survive and a lot of pleading for mercy, fear and panic during the murder scene. Juliana is enthusiastic. She says she knows Annabelle well and it will be fun to get up close and personal with her friend. They hug, making it clear there is an attraction between them.
The next scene is in the bedroom. Juliana is sitting on the bed while Annabelle is looking at her phone. She tells Juliana that for the first audition, the client wants Juliana to play a bit of a slut. She has picked up Annabelle in a bar and brought her back to her apartment for some sexy fun. Unfortunately for Juliana, Annabelle is a serial killer who has been strangling tarty MILFs in Moscow. Once Annabelle springs her trap on a nude Juliana, Juliana will plead for mercy, but Annabelle will strangle her with her bare hands. Juliana should struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Juliana says that sounds easy enough. She smiles and gets up to hug and begin undressing Annabelle. Annabelle responds and undresses Juliana easing her back onto the bed. They kiss and cuddle for a while.
Annabelle asks Juliana “Aren’t you worried about the strangler who has been murdering girls in our city?”
Juliana laughs, “That’s why I picked you up – I’m not taking any risks with guys at the moment.”
Suddenly Annabelle pins Juliana’s hands down and says “You’re a fool. Why do you assume the strangler’s a man? I’m going to enjoy proving to you what a big mistake you made…”
Juliana thinks Annabelle’s joking and says, “Stop it darling, that’s not funny.” She tries to kiss Annabelle, but Annabelle pulls her hair back and pretends to slap her and twist her nipples. Juliana screams in pain and begs Annabelle to stop. She now realises Annabelle is the strangler and she begs her to let her go.
Annabelle stops torturing Juliana briefly and they hug each other affectionately. She says, “Maybe I will let you go.” For a moment Juliana looks hopeful…Annabelle kisses her tenderly…but then sits up on her belly and strokes Juliana’s hair, slowly moving her hands down towards her throat “I’m going to let you go….to hell.” She barks the last two works aggressively. And with that she begins to strangle Juliana.
Juliana’s eyes widen in shock and fear and she struggles desperately to break Annabelle’s grip and unbalance her. But Annabelle is too strong. Juliana fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Annabelle kisses Juliana on the forehead, says ‘cut’, and Juliana opens her eyes and they both laugh and hug each other affectionately.
Annabelle goes to her phone and tells Juliana the sponsors really liked her first scene. Juliana said she found it fun too – but hopes maybe in the next scene she can play the killer instead of the victim.
Juliana comes over and they look at the phone.
Annabelle smiles “Well you are going to get your wish...have a look at the script for the next scene…’virus madness’, it’s a really funny one. I did it once as the killer, but this time you get to murder me”.
Juliana reads the script from the phone and laughs. She hugs Annabelle again and gives her a little squeeze “Ooh – I’m going to enjoy my revenge.”
They go back on the bed, clearly as lovers. Juliana gets on top. She is pretending to be playful. “You know there is something you can do for me – but it will work much better if I restrain you a little.”
Annabelle is happy “You know I’d do anything, and I love a little bit of bondage play. Restrain me whatever way you want”. [Juliana positions Annabelle on her back and then ties one of her hands to the bedpost on the corner of the bed. Annabelle offers her other hand…]
J: Darling – both arms would be unfair. You deserve a chance – I owe you that.
A: What have you got in mind? You know I love both pleasure and pain. [she is laughing]
J: [Juliana turns serious] Did you see the article in the paper about that new extreme cure they’re testing for the virus? It’s hard to believe, but the Chief Medical Officer thinks the act of murdering someone you love can give you complete resistance from the infection.
A: [Annabelle looks confused] That’s complete nonsense. How can anyone believe something like that? And even if it was true…what a shocking thought – to have to murder your lover!
J: You know they are offering €10,000 to people prepared to test this, and immunity from any prosecution too. I’m really sorry, darling, but I decided to sign up.
A: [Annabelle tries to sit up, but Juliana pushes her back down and pins her free hand on the bed]. This is crazy. What are you telling me – that you’re going to kill me? I don’t like this game – just let me go. [She struggles a bit more but Juliana holds her down].
[Annabelle begs and pleads for a bit longer. But eventually Juliana begins to strangle her with both hands around her throat. Annabelle fights strongly with her free hand and tries to use her body to throw Juliana off. She kicks out with legs and tries to pull her knees forward. But Juliana resists everything. As Annabelle weakens, she begs again for mercy. She tries to loosen the hands around her throat; then she tries to push Juliana off. But Juliana just pushes her back down on the bed and tightens her grip. Finally, Annabelle begins to spasm and then her struggles become gentler and she tenses then relaxes and slowly closes her eyes.]
Juliana is happy and kisses Annabelle who opens her eyes. Now they are both relaxing after expending a lot of energy in the two scenes.
Annabelle looks at her phone again and laughs. “This is a little bit different”, she says. “For your third audition, they want us back in the living room in a wrestling ‘fight to the death’. They say they don’t mind which of us wins, but we should pretend we are wrestling for a big cash prize. The winner is the one who chokes out the other, and we should make it as realistic as we can.”
Juliana is also excited by the task. “I sometimes wonder what it would be like to wrestle with you,” she jokes. “Maybe I’ll surprise you with my speed and strength”.
Annabelle hugs Juliana gently and then tightens into a pretend bear hug. “No chance, my darling – I’m pretty confident.”
They reassemble in the living room with a small open area acting like a ring. They circle each other warily for a moment.
Juliana is already anxious about their relative strengths and so she charges Annabelle attempting to catch her before she is fully ready. Unfortunately for her, though, Annabelle alertly side steps the charge and elbows Juliana on the side of her back as she misses her. Juliana groans, but quickly turns back to face Annabelle who is now on her feet and highly mobile clearly waiting for the opportunity to pounce.
They smack their bodies into each other – Annabelle grinding her thighs against Juliana’s pussy. Their tits pancake against each other and Annabelle bearhugs Juliana, trying to squeeze the breath out of her. Juliana strains to get one arm free of the hug and tugs vigorously on Annabelle’s hair from behind – for the first time causing her some pain. Annabelle breaks the hug and grabs Juliana’s tits – squeezing until she lets go of her hair to push her back.
They are now circling each other in real earnest recognition that this fight is for real – but at the same time, still hot from the sensuality between them and the sexual tension integral to the struggle.
They lock up, smacking together and grabbing each other’s hair – stumbling around the room pulling each other off balance and bending their heads back and forwards wildly. They clinch again, the sweat now coming out of each of their bodies mingling. They are each trying to wrap their legs round the other, seeking to unbalance them and get them on the floor. Soon, with a loud thud, they are both down – rolling, thrashing, punching and trying to kick out against each other.
Annabelle again gets Juliana in a bear hug with their legs entwined and they roll across the floor before Annabelle comes to rest on top of Juliana, squeezing her tits hard again.
Juliana is now tiring and in real difficulty. She is moaning but she also knows she is sexually aroused, and this is distracting her from her resistance.
Juliana tries to go for Annabelle’s hair again, but the orgasm is enveloping her, and Annabelle continues to pound her with punches and to rub her pussy harder against her. Now Annabelle is aroused herself and, both exhausted, slumps with all her body weight on top of Juliana – pinning first one arm and then the other on the floor beside her.
Through their moans, Annabelle gasps, “Time to finish this darling – I’m so sorry but you knew the deal”. And before Juliana can respond, her hands go around Juliana’s throat and Juliana instinctively knows that she is going to lose and this is going to be her final struggle.
Juliana pushes up with her body attempting to throw Annabelle off her. She grabs her wrists to try and break the stranglehold. She prises at her fingers and thumbs. She punches her shoulders even trying to grip her friend’s throat. She kicks out, seeking to bring her legs into a position to lever Annabelle off. But nothing is working.
Juliana now knows she has to act as if she is going to die. She pleads for mercy in a choking voice and throws her head from side to side trying to find a position where she can breathe. Her struggles are becoming weaker and more random. Her tongue is protruding, and she is beginning to drool. She is looking straight into Annabelle’s eyes, seeking any sign that she might relent and let her escape. But she sees no mercy. She knows for certain now she is not going to let her go.
‘Almost over, honey,’ Annabelle is triumphant. Juliana’s moans get louder and then softer. At the end, Annabelle returns to her friends lips for a last gentle farewell. Juliana’s attempts to escape Annabelle’s grip slowly subside, her body spasms, her eyes close, and then finally she relaxes and is still.
Annabelle finishes the kiss, and Juliana wakes up. They both laugh and cuddle lovingly.
Annabelle picks up the phone and shows Juliana. They are both smiling. Annabelle says to Juliana “The sponsors like you a lot – and of course so do I. Welcome to our team….”
IF YOU LIKE THIS FILM PLEASE CHECK OUT
ANNABELLE AUTIDION](studio/images/secondauditioncover-23d.jpg "JULIANAS AUDITION - JULIANA’S AUDITION
CUSTOM
Starring: Annabelle, Juliana
Juliana and Annabelle are friends. Juliana knows about Annabelle’s death fetish work and, in the middle of the pandemic, with work hard to find, she has asked Annabelle if she could make some extra money doing it. Annabelle is happy to put her forward and has explained Juliana will have to do an interview on CAM for her ‘Crime House/Dark Room’ sponsors, a Russian fetish film produce – including acting out a few murder scenes. This is the story of Juliana’s CHDR audition.
She is interviewed in Annabelle’s living room. Annabelle explains she has been on CHDR for nealry six months now, and it is a lot of fun and good money. She asks Juliana what she feels about acting out death scenes, and Juliana admits she hasn’t done this type of work before, but she’s willing to give it a try.
Annabelle is confident Juliana will be fine and explains that they will have to do three auditions, mainly in the bedroom – which is connected by hidden cameras to the CHDR sponsors. The sponsors decide on the scenarios and if Juliana is suitable to join the CHDR team. Annabelle explains that the clients like to see dramatic and sexy death scenes – with a decent fight to try and survive and a lot of pleading for mercy, fear and panic during the murder scene. Juliana is enthusiastic. She says she knows Annabelle well and it will be fun to get up close and personal with her friend. They hug, making it clear there is an attraction between them.
The next scene is in the bedroom. Juliana is sitting on the bed while Annabelle is looking at her phone. She tells Juliana that for the first audition, the client wants Juliana to play a bit of a slut. She has picked up Annabelle in a bar and brought her back to her apartment for some sexy fun. Unfortunately for Juliana, Annabelle is a serial killer who has been strangling tarty MILFs in Moscow. Once Annabelle springs her trap on a nude Juliana, Juliana will plead for mercy, but Annabelle will strangle her with her bare hands. Juliana should struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Juliana says that sounds easy enough. She smiles and gets up to hug and begin undressing Annabelle. Annabelle responds and undresses Juliana easing her back onto the bed. They kiss and cuddle for a while.
Annabelle asks Juliana “Aren’t you worried about the strangler who has been murdering girls in our city?”
Juliana laughs, “That’s why I picked you up – I’m not taking any risks with guys at the moment.”
Suddenly Annabelle pins Juliana’s hands down and says “You’re a fool. Why do you assume the strangler’s a man? I’m going to enjoy proving to you what a big mistake you made…”
Juliana thinks Annabelle’s joking and says, “Stop it darling, that’s not funny.” She tries to kiss Annabelle, but Annabelle pulls her hair back and pretends to slap her and twist her nipples. Juliana screams in pain and begs Annabelle to stop. She now realises Annabelle is the strangler and she begs her to let her go.
Annabelle stops torturing Juliana briefly and they hug each other affectionately. She says, “Maybe I will let you go.” For a moment Juliana looks hopeful…Annabelle kisses her tenderly…but then sits up on her belly and strokes Juliana’s hair, slowly moving her hands down towards her throat “I’m going to let you go….to hell.” She barks the last two works aggressively. And with that she begins to strangle Juliana.
Juliana’s eyes widen in shock and fear and she struggles desperately to break Annabelle’s grip and unbalance her. But Annabelle is too strong. Juliana fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Annabelle kisses Juliana on the forehead, says ‘cut’, and Juliana opens her eyes and they both laugh and hug each other affectionately.
Annabelle goes to her phone and tells Juliana the sponsors really liked her first scene. Juliana said she found it fun too – but hopes maybe in the next scene she can play the killer instead of the victim.
Juliana comes over and they look at the phone.
Annabelle smiles “Well you are going to get your wish...have a look at the script for the next scene…’virus madness’, it’s a really funny one. I did it once as the killer, but this time you get to murder me”.
Juliana reads the script from the phone and laughs. She hugs Annabelle again and gives her a little squeeze “Ooh – I’m going to enjoy my revenge.”
They go back on the bed, clearly as lovers. Juliana gets on top. She is pretending to be playful. “You know there is something you can do for me – but it will work much better if I restrain you a little.”
Annabelle is happy “You know I’d do anything, and I love a little bit of bondage play. Restrain me whatever way you want”. [Juliana positions Annabelle on her back and then ties one of her hands to the bedpost on the corner of the bed. Annabelle offers her other hand…]
J: Darling – both arms would be unfair. You deserve a chance – I owe you that.
A: What have you got in mind? You know I love both pleasure and pain. [she is laughing]
J: [Juliana turns serious] Did you see the article in the paper about that new extreme cure they’re testing for the virus? It’s hard to believe, but the Chief Medical Officer thinks the act of murdering someone you love can give you complete resistance from the infection.
A: [Annabelle looks confused] That’s complete nonsense. How can anyone believe something like that? And even if it was true…what a shocking thought – to have to murder your lover!
J: You know they are offering €10,000 to people prepared to test this, and immunity from any prosecution too. I’m really sorry, darling, but I decided to sign up.
A: [Annabelle tries to sit up, but Juliana pushes her back down and pins her free hand on the bed]. This is crazy. What are you telling me – that you’re going to kill me? I don’t like this game – just let me go. [She struggles a bit more but Juliana holds her down].
[Annabelle begs and pleads for a bit longer. But eventually Juliana begins to strangle her with both hands around her throat. Annabelle fights strongly with her free hand and tries to use her body to throw Juliana off. She kicks out with legs and tries to pull her knees forward. But Juliana resists everything. As Annabelle weakens, she begs again for mercy. She tries to loosen the hands around her throat; then she tries to push Juliana off. But Juliana just pushes her back down on the bed and tightens her grip. Finally, Annabelle begins to spasm and then her struggles become gentler and she tenses then relaxes and slowly closes her eyes.]
Juliana is happy and kisses Annabelle who opens her eyes. Now they are both relaxing after expending a lot of energy in the two scenes.
Annabelle looks at her phone again and laughs. “This is a little bit different”, she says. “For your third audition, they want us back in the living room in a wrestling ‘fight to the death’. They say they don’t mind which of us wins, but we should pretend we are wrestling for a big cash prize. The winner is the one who chokes out the other, and we should make it as realistic as we can.”
Juliana is also excited by the task. “I sometimes wonder what it would be like to wrestle with you,” she jokes. “Maybe I’ll surprise you with my speed and strength”.
Annabelle hugs Juliana gently and then tightens into a pretend bear hug. “No chance, my darling – I’m pretty confident.”
They reassemble in the living room with a small open area acting like a ring. They circle each other warily for a moment.
Juliana is already anxious about their relative strengths and so she charges Annabelle attempting to catch her before she is fully ready. Unfortunately for her, though, Annabelle alertly side steps the charge and elbows Juliana on the side of her back as she misses her. Juliana groans, but quickly turns back to face Annabelle who is now on her feet and highly mobile clearly waiting for the opportunity to pounce.
They smack their bodies into each other – Annabelle grinding her thighs against Juliana’s pussy. Their tits pancake against each other and Annabelle bearhugs Juliana, trying to squeeze the breath out of her. Juliana strains to get one arm free of the hug and tugs vigorously on Annabelle’s hair from behind – for the first time causing her some pain. Annabelle breaks the hug and grabs Juliana’s tits – squeezing until she lets go of her hair to push her back.
They are now circling each other in real earnest recognition that this fight is for real – but at the same time, still hot from the sensuality between them and the sexual tension integral to the struggle.
They lock up, smacking together and grabbing each other’s hair – stumbling around the room pulling each other off balance and bending their heads back and forwards wildly. They clinch again, the sweat now coming out of each of their bodies mingling. They are each trying to wrap their legs round the other, seeking to unbalance them and get them on the floor. Soon, with a loud thud, they are both down – rolling, thrashing, punching and trying to kick out against each other.
Annabelle again gets Juliana in a bear hug with their legs entwined and they roll across the floor before Annabelle comes to rest on top of Juliana, squeezing her tits hard again.
Juliana is now tiring and in real difficulty. She is moaning but she also knows she is sexually aroused, and this is distracting her from her resistance.
Juliana tries to go for Annabelle’s hair again, but the orgasm is enveloping her, and Annabelle continues to pound her with punches and to rub her pussy harder against her. Now Annabelle is aroused herself and, both exhausted, slumps with all her body weight on top of Juliana – pinning first one arm and then the other on the floor beside her.
Through their moans, Annabelle gasps, “Time to finish this darling – I’m so sorry but you knew the deal”. And before Juliana can respond, her hands go around Juliana’s throat and Juliana instinctively knows that she is going to lose and this is going to be her final struggle.
Juliana pushes up with her body attempting to throw Annabelle off her. She grabs her wrists to try and break the stranglehold. She prises at her fingers and thumbs. She punches her shoulders even trying to grip her friend’s throat. She kicks out, seeking to bring her legs into a position to lever Annabelle off. But nothing is working.
Juliana now knows she has to act as if she is going to die. She pleads for mercy in a choking voice and throws her head from side to side trying to find a position where she can breathe. Her struggles are becoming weaker and more random. Her tongue is protruding, and she is beginning to drool. She is looking straight into Annabelle’s eyes, seeking any sign that she might relent and let her escape. But she sees no mercy. She knows for certain now she is not going to let her go.
‘Almost over, honey,’ Annabelle is triumphant. Juliana’s moans get louder and then softer. At the end, Annabelle returns to her friends lips for a last gentle farewell. Juliana’s attempts to escape Annabelle’s grip slowly subside, her body spasms, her eyes close, and then finally she relaxes and is still.
Annabelle finishes the kiss, and Juliana wakes up. They both laugh and cuddle lovingly.
Annabelle picks up the phone and shows Juliana. They are both smiling. Annabelle says to Juliana “The sponsors like you a lot – and of course so do I. Welcome to our team….”
IF YOU LIKE THIS FILM PLEASE CHECK OUT
ANNABELLE AUTIDION")
